A Research On The System Of Mongolians' Tibetan Literary Theory

The Tibetan theoretical works and illustrative poems about "poem mirror theory" by Mongolian monks and the poetic theory of SanDe (vow, debates, works) constitute the core of the system of Mongolians'Tibetan literary theory. The theoretical views showed in poems, letters, works also enrich Mongolians'Tibetan literary theory system. In order to build the system of Mongolian literature theory, it is necessary to study Mongolians'Tibetan literary theory system. On the one hand, that is to examine the summary of research results, for the foundation of the new exploration, on the other hand, to carry out a systematic research to complete the construction pattern of a theoretical system. The goal of this paper is to find new ideas and complete the construction of the theoretical system. This paper consists of six parts.The introduction puts forward the proposition of the Mongolians'Tibetan literary theory system and explores the cause of the system and the source of theory system and the characteristics of the theoretical system. The author concludes that the Mongolians'Tibetan literary theory is a clear theoretical concept, a unique organic theory system. He also discusses and analyzes Tibetan literatures involved in the Mongolian theories. This paper summarizes and surveys the status about the Mongolians'Tibetan literary theory.The first chapter explores the nature of literature theory about Mongolian Buddhist monk scholars. It explores and analyzes some theoretical problems such as the understanding and judgment about "poem", views about literature meaning and function, the difference between literature and literary theory and the concept of literature, and confirms the mature development process of the theory. It explores the Mongolian eminent monks'literature (" poem ") aesthetic view and thinks that their literary aesthetic essence is the aesthetic feeling and aesthetic creation. Their literary language is a decorated, musical, defamiliarized conflict language. At the same time the author analyses the relationship between "poem mirror" and other five subjects, expounds their interdependent internal relations.The second chapter explores not only Mongolian eminent monks" literature theory, namely "poem mirror" life and its formation and style theory, but also its theory roots. This paper analyzes the creative and unique theory views of Mongolian Buddhist monk scholars, puts forward their "poem mirror" life, formation and style theory that formed literature theory, the literature vitality research, literature types, literary styles and genres theory.The third chapter studies the composing views on Mongolians'Tibetan literature. Their writing theory is a systematic theory with a tendency of a religious thought and appropriate for universal meaning of other writers. The author analyses specific composing methods, sums up the unique theory viewpoint from six aspects such as the real description, tortuous expression and hyperbole, image description and emotional expression, metaphor and symbolism method, hidden righteousness, stressed mode rhythm of a sound.The fourth chapter explores criticism views and methods of Mongolian and Tibetan literature and puts forward that their literary views and methodology are formed by the theory of defects in Kavyadarsa (Mirror of Poetry) and the criticism methods of traditional Buddhist literature. The theory of defects in Kavyadarsa (Mirror of Poetry) is the organic combination of content and form, logic and philosophy, aesthetics and psychology, classic and theory. It is also the systematic criticism theory in dialectical relationship between "virtue" and the theory of defects in Kavyadarsa (Mirror of Poetry). Literary criticism methods consist of four kinds of forms. They are content criticism, content rhetoric criticism, illustration (poetry) criticism and argue criticism.The last chapter gives the conclusion to Mongolians'Tibetan literary theory system from six aspects. They are the theory system of the integration of "poem mirror" life, body, solemn and ill theory; The literature theory focused on language art; The theory of the combination of appearance and connotation; The art theory of hazy expression; The text hierarchy theory of separating sound and meaning; The composing theory with religious emotional inclinations.