Folk Writing In Chinese Fiction Of The New Period

Chinese scholars made certain findings on the research of Chinese fiction in the new period and the way diverse over past30years, but a breakthrough in research methods, indeed, plagued academic years.Based on this, I will look into Chinese fiction in the new period from the folklore dimension.I will discover and explore folk memory and folk phenomenon gathered the text of the novels of the Chinese fiction in the new period and refresh the original understanding by mining the folk in the novels of this period. I research will the text of the novels of the Chinese fiction in the new period from the content of faith, Nuo, ghost and God, weddings and funerals, clan, taboos, totems and other folk in order to cause more people to pay attention to the folk in the novels of this period. Based on this, the use of folklore theory will expand multifaceted discourse of the text of Chinese fiction in the new period to reveal the literary landscape and aesthetic vision being ignored. I hope do a little humble transformation of research of Chinese contemporary literature through the article. Of course, I hope my research results can make due contributions to the sound development of the process of removal of the folk Inferiority, eco-life and the folk.This thesis attempts to use the way of multidisciplinary and comprehensive study and classify the folk in the text of the Chinese Fiction in the new period Folk classification and select the text of Chinese fiction writers whose are highly representative and the studied value in the new period. The main part of this thesis consists of four chapters. I will solve the contemporary definition of the concept of the folk and.stress the fiction writers in the new period have become an important participant in folklore activities and stress literature and folklore in fact constitutes a relationship of a two-way interaction and communication, and they own a certain theoretical support in the first chapter.I will explain the existing form and the embarrassing situation of religion, belief, ghost and God in contemporary society through the interpretation of works by authors of Tashi Dawa, Han Shaogong, Yu Hua, Su Tong, Wang Shuo,ang others writers in the Chapter Ⅱ.I will analyse clan,native and guilt culture and other concepts gathered in these works wrote by Chen Zhongshi, Jia Pingwa, Yan Lianke and other writers from the perspective of social customs and highlight the diversity and complexity of the folk forms of civil society. for the first time from the perspective of literary anthropology through analysis of Jia Pingwa works Chapter Ⅲ. I will mine the folk culture, emphasize the folk show h internalized into the plot of the novel, the feelings of the people, the people's way of thinking, from the perspective of economic folk components the consumption custom, system and trade customs and the ecological folklore on the Chinese novels of the new period and put forward construction fictions poetic from the angle of ecology in depth in the chapter Iv. I will carry out the concise statement on the research significance of the thesis in the conclusion.The Place of innovation in the thesis:one, I will use the folklore and literary anthropology principle into literary study; two, the thesis will promote the transition of the paradigm of contemporary literary criticism. I will expands the literature research territory, especially use the new literary themes into the text study, discovery and explanation ceaselessly the new folk custom phenomenon, mine and refresh the text which the people have long been familiar with through the new research paradigms and establish the position. Where folk occupy in the studies of Chinese Contemporary literature through the practice of criticism。...