| As one of the 4 famous supplements in the New Cultural Movement, "XueDeng" was so impressing in the history of ideas, literature, newspaper and periodicals with its unique style. Unfortunately, seldom experts studied and discussed "XueDeng" as an independent cultural phenomenon systematically and effectively up to now.In the paper, the writer focused on middle theory as academic platform, started from the chief editor of "XueDeng", carried out concrete empirical study on the supplements of "XueDeng" printed from Marth, 1918 to August, 1923, which was to analze both inner and outer world of "XueDeng" and the interactive relation among editors, authors and readers with "XueDeng" as a cultural-ecological space, recard the process of their culrual spread and social effect in order to explore the growth and generation system of Chinese modern literature.The writer discussed it from 5 aspects:First, the writer discussed the reason of building cultural spreading position of "XueDeng" from 3 aspects of politics, culture and economy in order to highlight its multidimensional reference background. The writer thought "XueDeng" always adhered to neutral and stable cultural spreading position which is closely related to both political improvement attitudes of intellectuals of "YanJiu Clique" and the chief editors' ideology of "XueDeng".Secondly, the period edited by Zhang Dong-sun, Kuang Seng, Yu Song-hua which is also called the initial stage of "XueDeng". Effected by the times trend and public opinions environment, "XueDeng" showed main features as ideological and academic publications and put less stress on new literature.Thirdly, the period edited by Guo Yu-shang and Zong Bai-hua, which is the flourishing stage of "XueDeng". "XueDeng" edited by Zong Bai-hua is emphasized. As main member of Yong China Association, Zong Bai-hua communicated the work of "XueDeng" and "Yong China" actively and effectively. As an editor, he reformed the pattern of "XueDeng" boldly and found Guo Mo-ruo who was unknown at that time, which contributed to the spread of Chinese poetory and improvement of it. And as a thinker, he left many valuable cultural heritage behind for poetics including philosophy, aesthetics and literary theory.Fourthly, the period edited by Li Shi-yin, which is transitional stage. As a philosopher, Li Shi-yin was both a scholar and an editor, which made "XueDeng" show the research style, care more about the West Wave, and increase the perfusion and interpretation on West Wave. The publication of series "XueDeng" built the public space for knowledge groups and had strategic vision in spreading strategy. In the new literature, it showed differential treatment to new art.Fifthly, the period edited by Zheng Zhen-duo and Ke Yi-yin which is the developing stage of "XueDeng". The relation between Zheng Zhen-duo and "XueDeng" is mainly discussed. As the core of literature research associaton, Zheng Zhen-duo borrowed mass media power of "XueDeng" directly and resources of cultural groups of "YanJiu Clique" behind "XueDeng" to bulid literary position of new literature. The most direct achievement is "WenXue Quarterly" as the supplement of "ShiShi XinBao". The "XueDeng" edited by Ke Yi-yin was always the blank spot. The writer thought "XueDeng" was no longer flourishing at that time, but it provided many spiritual resources for Chinese modern literature.Generally speaking, the paper researched "XueDeng" in 4 main stages and compared it with other newspaper in the same stage in order to study "XueDeng" objectively. The whole paper showed the generation and the growth of Chinese modern literature had experienced a tough and complex process, which could not be achieved without historical context and person's background structure with Chinese characteristics. "XueDeng" provided meaningful "Chinese Experience" and research sample for Chinese modern literature.
|
PDF Full Text Request