The Publication,Dissemination And Influence Of Yang Wanli’s Self-Edited Poems

After the end of each official ’s tenure,Yang Wanli always compiled his poems in the style of “one official one collection”,and handed over many poetry collections to local bureaucrats for printing,and gave transcripts or printed copies to colleagues,poetry friends and fellow villagers.Based on this literary phenomenon,this paper focuses on the compilation and publication of Yang Wanli ’s self-written collections and the friendship with contemporary people to examine the promotion of Yang Wanli ’s status in the poetry world.On the basis of combing the production process of poetry anthologies in the Song Dynasty,the first chapter grasps the particularity of Yang Wanli ’s self-compiled selfpublished poetry anthologies in the Song Dynasty,and makes a research on the publication of Yang Wanli ’s poetry anthologies,including the identity of the publisher and the process of publication.In addition to Liu Huan,who is often mentioned by scholars,there are also Zhong Jiang and Zhao Chonggu,who are local bureaucrats.In addition to the local official carvings often mentioned by scholars,there are also workshop carvings.For example,Cheng Zhai ’s Jianghu Collection is published by Wei Zhongwei,a “Jian an” bookseller.Because the Song Dynasty poetry collection has been blurred as a material text,it is impossible to judge whether it is Wei Zhongju or Wei Zhongli,but at least it shows that Yang Wanli ’s self-written collection is not single.The second chapter grasps the particularity of Yang Wanli ’s poetry collection donation behavior in the Song Dynasty on the basis of combing the phenomenon of Song Dynasty literati ’s donation of poetry collections-the scope of the donation object is so wide,and the duration of the donation poetry collection is so long,and this is summarized and summarized as a whole,including the object of donation,the time of donation,the way of donation,and the form of the donation poetry collection.Yang Wanli ’s act of giving poetry collections mainly relied on the social network,forming a peak in the 14 th year of Chun Xi,which coincided with the time when he wrote the preface for the poetry collection and put it into publication.The combination of active gifting,substitute gifting and market flow presents the diversity of gifting methods,and the copy and publication present the diversity of the form of gift poetry collection in parallel.The two ensure the speed and scope of Yang Wanli ’s poetry collection.The third,fourth and fifth chapters involve the context of the specific gift process,which is directly related to the central issue of “the relationship between the dissemination of Yang Wanli ’s poetry and the status of the poetry world”.Therefore,it is the focus of this article and a more concentrated case study.The third chapter selects two cases of Fan Chengda and You Mao.The former is related to the starting point of Yang Wanli ’s behavior of presenting poetry collections,and the latter is related to the spread of Yang Wanli ’s poetry collections in Lin ’an.The fourth chapter focuses on the phenomenon that Yang Wanli won the general recognition of poetry for the first time by virtue of “Nanhai Ji”.This paper attempts to explain from the perspective of the dissemination of poetry in the context of new media,and finds that the number of transmission paths and the scope of transmission are incomparable with other poetry collections.The fifth chapter is the comparison of the two groups.The colleagues connected by the political field and the friends connected by the regional society are also the objects of Yang Wanli ’s poetry collection.The factors behind them are very different.Yang Wanli ’s position in the poetry circle has two meanings.One is the Lin an’ poetry circle,and the other is the Lu LingHu Xiang academic circle.On the whole,the above three chapters discuss a problem from different levels: how to achieve the effect of text dissemination and poetry name diffusion based on the poetry collection donation.The sixth chapter,as the final chapter,is a supplement to the above three chapters.First,the dissemination effect of the poetry collection is not only presented in the titles that express the attitude of the people at that time,but also directly promotes the flow of poetry style and poetic theory.When the scholars compete to imitate Yang Wanli ’s method of composing poetry to create “Xiao Cheng Zhai Style”,which has become a great scene in the poetry world,it will eventually also play a role in Yang Wanli ’s position in the order of the poetry world.Jiang Teli said that “who is the Lord in today ’s poetry world,Cheng Zhai poetry is being implemented”.Limited to the length of the article,the author only selected the case of Zhang Zi,a later scholar in the poetry world and a lifelong follower of Yang Wanli ’s poetry,to discuss.Secondly,the literary space is not completely occupied by the object of Yang Wanli ’s poetry collection,and the evaluation of Yang Wanli ’s poetry achievements is not single.Zhou Bida and Zhu Xi are two cases.The juxtaposition of different views on the one hand reflects the tension and elasticity of the literary space,on the other hand,as a counterexample,it once again reflects the importance of the dissemination of poetry collections to the status of poets and poetry.