| Compared with the traditional concept of easel painting,comprehensive material painting presents the development of painting in a broader artistic form to expand the expression style of painting art.Due to the different spiritual demands caused by social development and changes,art theory criticism no longer uses simple "beauty" or "ugliness" to judge the aesthetic perception of painting forms,but hopes to interpret the expression of art through the information contained in material materials.This paper explores the visual aesthetics in comprehensive material painting and the expression of material perception in painting,which is hidden in the aesthetic process of traditional art,through the principle of visual perception formal dynamics.The principle of formal power of visual perception is Arnheim’s research and exploration of visual perception on the basis of Gestalt psychology.With the help of "force",he analyzes the form composition in painting,interprets the dynamic response of the form of external stimuli in human psychology as "force",which is the main way of painting expression,and sums up the aesthetic judgment of form as the reflection of "force" on human visual thinking.Starting from the principle of visual perception form power,this paper explores how comprehensive material painting uses the "power" felt by vision to have different effects on the expression of painting form.The first chapter of the thesis combs the principle of visual perception formal dynamics,and expounds the concept,characteristics and specific operation of the principle of visual perception formal dynamics;The second chapter analyzes the visual logic of the comprehensive material painting,and describes the visual logic mode formed by the change of artistic concept and the change of artistic expression from literary narration to formal aesthetics;Based on the second chapter,the third chapter analyzes the concrete expression of material simplification and material balance in the process of comprehensive material painting creation.The fourth chapter is my practice and exploration of the principle of visual perception form power in the comprehensive material painting,and expounds the impact on my artistic creation. |