Comparative Study Of The Concept Of Space Painted By Jacometti And Huang Binhong

Both Jacometti and Huang Binhong are painters with great influence on Chinese painting.Among them,the differences between Chinese and Western cultural backgrounds and painting methods can be seen.In the paper "Comparative Study of the Painting Space Concept of Jacometti and Huang Binhong",we can see the similarities and differences in the expression of the two painting space concepts through the comparison of space,cultural background and expression mode.Find the metaphor of its space and the spiritual world of painting,reflect on and break through his own limitations from the unique way of looking at space.Combining the space of Huang Binhong’s landscape painting with the space of Jacometti’s oil painting as its prominent point,he is eager to have some enlightenment and positive and beneficial exploration of painting,so that his own creation can get strong inspiration and progress.This paper studies the concept of painting space of Giacometti and Huang Binhong,and adopts literature research method,case analysis and descriptive research methods.It is mainly divided into four chapters: The first chapter mainly explores the spatial concepts of the eastern and Western painting,and gives a general overview of the differences and connections between the eastern and Western painting spatial concepts.The second chapter focuses on the spatial concept of Giacometti and Huang Binhong,exploring the concrete expression of the spatial concept with the painting of Huang Binhong in landscape paintings.From the study,we can better compare the differences of space concept and artistic expression.The third chapter is a comparative study of the concept of painting space between Giometti and Huang Binhong.Through the analysis and comparison of the above two chapters,in the comparison of ideas,formal language,expression and other ways,and found that the differences between the two at a certain level.The fourth chapter is to combine the author’s experience and perception with personal painting creation,in order to combine theory and practice.