| In recent years,with the strong support of the state,the creation of ethnic opera in our country has shown a blowout trend,and a large number of excellent opera works have emerged.Among them,produced by Chongqing Song and Dance Theater,composer Meng Weidong,playwright Feng Baiming,Feng Bilie screenwriter,director Liao Xianghong directed the ethnic opera "Dust settled" after its premiere in 2018,the response was enthusiastic and well received.Adapted from the novel of the same name by the writer Alai,the play is a work with both strong Tibetan style and western opera creation mode.From the perspective of a "fool",it shows the gradual decline of the Tusi system in the Tibetan settlement of Kangba,and witnessed the great historical facts of the liberation of millions of serfs.As one of the core characters in the play,Sangjizhuoma is one of thousands of ordinary slaves in Tibetan areas,but he is also trying to be a self-rescuer in the prison of the system.The three passages depict different situations and psychological states,deeply move the audience,and through the unique appeal of music in different scenes,show the image of Zhuoma more three-dimensional,restore a hard-working,determined and flesh-and-blood Tibetan female image.This paper takes the image and singing section of the heroine Sangjizhuoma in the opera Dust settled as the research object,mainly from four aspects: the overview of the opera "Dust settled",the characterization of the heroine Sangjizhuoma,the music analysis of the main singing passage of Sangjizhuoma,and the singing analysis of the main singing passage of Sangjizhuoma.First of all,combined with the literature,on the basis of combing the creative background and plot of the play,this paper summarizes its artistic characteristics from three aspects: music form,music elements and dance beauty setting.Secondly,the characters in literature and drama are discussed in depth.Then,the music analysis of Zhuoma’s three key songs,"Love words","Dust" and "distance",is made from the aspect of harmony and music form,and the framework and development context of the works are clarified.Finally,from the singing style,emotional display,body language three levels,combined with their own stage practice experience and perception,the singing analysis of the three songs is discussed in detail,in order to be beneficial to more singers. |
