Research On Documentary Image Construction Of Rural Cultural Memory In Jiangnan

Intangible cultural heritage,as a living art carried by human life activities,has more profound cultural accumulation with the development of The Times,and has distinct national character and times character.As an important part of intangible cultural heritage,traditional folk art is widely distributed in China,with characteristics of local,folk and popular.However,due to the change of society,many intangible cultural heritage is gradually fading out of people’s vision,and the protection of intangible cultural heritage has become an important proposition in our era.At present,image media,as an important medium for cultural inheritance,can stimulate memory and strengthen national spirit through recording images.From the perspective of cultural memory construction and documentary creation,this thesis try to arouse people’s retention of traditional culture,create a cultural space environment for memory,and strive to construct a common cultural memory,so as to further realize people’s sense of identity.Combined with the graduation work Stove · Painting,this thesis attempts to present the imprints of people’s past times with video records from the perspective of cultural memory theory,so as to activate individual memory and realize the dialogue between the audience and the past.At the same time,there is no lack of thinking about the fate of Stove · Painting.It is mainly divided into five parts.The first part includes the introduction,including the research background,research purpose and significance,research methods and innovation,and literature review.In the second part,the concept of individual memory and collective memory in cultural memory is explained theoretically,and the value and significance of kitchen stove painting as an intangible cultural heritage folklore is introduced.The third part discusses the significance of image construction from the perspective of cultural memory theory combined with documentary works,including the symbolic significance of material symbol and spiritual culture existence.In the fourth part,combined with the work Stove · Painting,an in-depth analysis of the presentation of the image expression strategy for the creation of the theme is made.At the same time,around the whole film structure,the multi-narrative perspective is used to deepen the audience’s understanding of the intrinsic meaning of the image.The fifth part intends to expound the practical significance of image construction from the aspect of social value and cultural inheritance under the framework of cultural memory theory,so as to summon people’s inner nostalgia memory and stimulate the cultural identity of the group.In a word,this study tries to explore the application of cultural memory theory in the creation of intangible cultural heritage documentary images through practice.Such memory construction is not just a simple recording and restoration of image images,but an effort to explore the cultural significance of stove painting itself and the cultural spirit of inheriting traditional folk customs with the help of artistic conception and editing techniques.Thus,the film will be placed in a new height,play its due cultural and social value.