Research On Modern Lacquer Art Creation Under The Influence Of Mono-ha’s Art

As a part of modern art,the development of lacquer art has been relatively slow,and with the integration of various concepts and forms in the context of globalisation,the creation of modern lacquer art has gradually suffered from a lack of clarity and independence.During the 1960 s,when modern art was in its infancy,Mono-ha ’ s art,as an influential representative of Asian modern art,interacted with the social and cultural trends of the period.It retained a strong sense of independence in the exchange of ideas,forms and positions.Modern lacquer art and Mono-ha’s art have similar genesis following their media contexts,and both have faced similar dilemmas in their development.This thesis examines the reasons for the concept of the Mono-ha’s art and the ways and means of its creative practice.At the same time,this essay attempts to summarise the creative methods and practical experiences of the Mono-ha’s art and then compares the results with the similarities and differences in the development of modern lacquer art.Finally,through the deconstruction and analysis of real examples of modern lacquer art,the thesis identifies the theoretical and practical aspects of Mono-ha’s art that can be referred to and studied in the creation of modern lacquer art.