Creation And Practice Of Contemporary Southern Fujian Architectural Lacquer Painting

This thesis takes the National Lacquer Painting Exhibition as an entry point to conduct a longitudinal and in-depth exploration of the origin of architectural lacquer painting,and horizontally analyzes the development and innovative evolution of architectural lacquer painting.The diversity of southern Fujian architecture and culture has contributed to the richness and strong and vibrant style of southern Fujian architectural subject works,and these exquisite architectural lacquer paintings all perform their cognitive,educational,and aesthetic functions as artworks,and these three functions intermingle and influence each other in people’s daily lives.In addition,this thesis also analyzes the suitability of lacquer to represent southern Fujian architecture,and also analyzes and evaluates the artistic characteristics of some famous lacquer painters’ southern Fujian architectural lacquer paintings in southern Fujian region.Through the research,this thesis found that although there is a rich variety of lacquer paintings on southern Fujian architectural themes,there is still a lack of papers related to the creation of lacquer paintings on southern Fujian architectural themes,which is dominated by realism,less innovative use of new materials,and a lack of papers related to the creation of lacquer paintings on southern Fujian architectural themes.Therefore,this thesis conducts an in-depth investigation into the picture composition of the creation of southern Fujian architectural lacquer paintings,tries to explore new forms of picture expression,and tries to make a new breakthrough in the use of new materials and picture composition,collaging two-dimensional and three-dimensional buildings from different angles in the same picture and space.In terms of color,the thesis draws on the color scheme of Japanese ukiyo-e to ensure color coordination.In terms of composition and painting style,the thesis considers the aesthetic elements of traditional Chinese painting,which effectively avoids the phenomenon of patchwork and combines the unique style of traditional Chinese painting with that of lacquer painting,forming a unique personal character of architectural lacquer painting works with both Chinese painting meaning and contemporary.