Aesthetic Research On Engraving Techniques In Contemporary Lacquer Painting

Taking the development of traditional lacquer art culture as the timeline,this paper takes the lacquer painting works in major national art exhibitions after 1984 as the starting point,and takes the action of "carving" as a clue to discuss the origin of lacquer engraving techniques in traditional Chinese lacquer art and the development of lacquer techniques in lacquer painting creation,including the practice and exploration of artists Lei Guiyuan,Zhu Chonghua and Liang Yuan in the art of engraving lacquer.Clarify the aesthetic performance of contemporary lacquer engraving techniques,summarize the stylistic characteristics of its north and south regions,dialogue with the picture,discuss the influence of different styles of contemporary lacquer engraving works on production tools,techniques,baseplate and other factors,and at the same time summarize and reflect on my own research.Contemporary lacquer painters should take into account the inheritance and innovation of engraving and lacquering techniques,combine the ontology language of lacquer,use a knife to ghostwrite,portray the ideas,emotions and aesthetics conveyed by it,and pay attention to the "contemporary" and the balance of "painterly" and "craftsmanship" of engraving lacquer works.It is hoped that through the above analysis and research,lacquer painting creators can have more cognition and innovative methods of engraving and lacquering techniques,so as to open up more research ideas.