Presence:Symphony And Harmony

"Without critical resonance,no art can be properly developed." As the "aesthetics of movement," dance criticism is a bridge between dance practice and dance theory,as well as a link between dance creation and dance appreciation.It occupies a very important position in the entire dance activity,and has a strong practical driving force for dance creation and the overall development of dance,At the same time,whether the quality of its development is high or low is also an indispensable perspective to reflect on the entire ecology of literary criticism.After entering the 21 st century,especially since the 18 th National Congress of the Communist Party of China,the Central Committee of the Communist Party of China has attached great importance to the work of literary and artistic criticism.Under the active guidance of the Party’s literary and artistic thoughts and policies,dance criticism has received dividends in terms of both system and discipline development,professional theoretical awareness has been improved,academic exchange activities have increased,and emphasis has been placed on the cultivation of talent for dance criticism,which has led to a high development of professional criticism in terms of both volume and quality,Despite relatively good achievements,dance criticism as a whole has not formed a benign interaction with dance creation,lacks subjectivity and creative awareness,and the disciplinary construction of dance criticism is still in the process of being completed.It is also worth noting that since the 21 st century,art criticism has entered a digital era with mobile intelligent media as the carrier.Today,the vigorous development of the Internet,new media,and self media has impacted the inherently immature dance criticism,making the pattern of dance criticism increasingly diverse and presenting a more complex situation,making contemporary Chinese dance criticism have undergone or are undergoing diversified evolution.This thesis mainly conducts a systematic study of the rich and diverse phenomena of dance criticism from the new century to the present,timely grasping the topics that have emerged,are being discussed,or have found valuable,and deeply analyzing the changes in dance criticism behind the phenomenon and the reasons for such changes.The full text is divided into three chapters in addition to the introduction and conclusion.The first chapter is the realistic context of Chinese dance criticism in the new century.Firstly,by analyzing the meanings of "criticism" and "artistic criticism" and gazing at "dance criticism" and "biases of dance criticism",and then using data to analyze the increasing trend of academic journal articles on dance criticism since the new century,the awakening of the subject of criticism,the relevant theoretical achievements,and the spurting academic activities,it can be seen that the current discourse system of dance criticism is being consciously constructed.The second chapter is a new paradigm of dance criticism in the digital era.This article elaborates on the transformation and origin of the current style of dance criticism,and then examines the emerging "new media dance criticism" from a perspective that focuses on analyzing the styles,characteristics,and issues of "micro dance criticism" and "audio-visual media type dance criticism.".The third chapter is about the dance criticism of the "academic school" dancing with shackles.The focus is on exploring the phenomenon of academic dance criticism and the young dance critics who are being "ordered".