| As a country of rituals and music,China has been ruled by music since ancient times.As the source of national folk music,folk songs have played an irreplaceable role in the history of music culture.As one of the most important branches of folk songs in China,Shandong folk songs are the crystallization of the collective wisdom of the people of Shandong,the most representative genre of Shandong music style,and the "living fossil" of Qilu music culture.The study of Shandong folk songs is not only a further excavation of the regional cultural resources of Shandong,but also a wonderful presentation of the vigorous vitality of China’s excellent traditional culture.This paper takes Shandong folk songs as an entry point,and through combing a large number of historical records and music scores,and combining historical and sociological research methods,the main research on the music itself is conducted.Firstly,the background of Shandong folk songs and their formation and development are reviewed,and their historical development is sorted out;secondly,the rich ideological connotation and musical form characteristics of Shandong folk songs are briefly analyzed,and on this basis,the application of Shandong folk songs in folk instrumental music,operatic music,opera music and other traditional music varieties in Shandong in the process of transmission is studied,in turn,they will strengthen their systematic knowledge of China’s traditional music culture and grasp the overall context and general laws of traditional music development.This paper is divided into six parts:The first chapter begins with an overview of Shandong folk songs,briefly combing through the background and the formation and development of Shandong folk songs,and combing through their historical evolution to lead the text.The second chapter summarizes the rich ideological connotations of Shandong folk songs and analyzes the unique musical features of Shandong folk songs,so as to pave the way for analyzing the circulation of Shandong folk songs in the following chapters.The third chapter elaborates the circulation of Shandong folk songs in Shandong folk instrumental music,taking Shandong drumming music and Shandong zheng music as examples,and analyzes the circulation of specific folk song tunes in folk instrumental music.The fourth chapter elaborates the circulation of Shandong folk songs in Shandong folk music,taking Siping tune,Shandong qinshu and Linqing tune as examples,and explores the relationship between Shandong folk songs and their origins as well as their development and derivation.The fifth chapter elaborates the transmission of Shandong folk songs in folk opera music,taking the local operas in Shandong-Lv opera,Liuzi opera,and the relevant plays of the elbow drum cavity system-as examples,and examines the application and derivation of Shandong folk songs in them.The sixth chapter describes the circulation of Shandong folk songs among other traditional music varieties in Shandong,mainly analyzing the application and changes of Shandong folk songs in Shandong song and dance music,religious music,and ritual music.The purpose of this paper is to grasp the regional stylistic characteristics of the regional music variety Shandong folk songs,to discover the unique artistic charm of Shandong folk songs,and to affirm its important position in the development of traditional music in Shandong through the study of the regional music variety Shandong folk songs.By taking Shandong folk songs as a basic research object of traditional music research,we explore the overall development and general rules of its development,grasp the objective properties and laws of Shandong traditional music development,and then promote the inheritance and development of China’s excellent traditional music culture,and provide inspiration for the creative transformation and innovative development of Chinese excellent traditional culture. |