Zhu Shanpo is one of the high-profile new generation writers in Guangxi literature and army.Since the publication of novels in 2005,many excellent works have been published,which have been praised by literary critics as "the dark horse in Guangxi literary world" and called "the last three swordsmen in Guangxi" together with Tian Er and CD.As a writer who goes out from the Subaltern Classes and pays close attention to the social reality,Zhu Shanpo always takes his unique life experience and personal life experience as the original starting point of his creation,and regards "paying attention to the Subaltern Classes and seeing through suffering" as his creative ideal.His novels always keep close contact with the Subaltern Classes people.Zhu Shanpo actively intervened in real life in the form of literature,responded to the current Chinese experience,examined the spirit of the times in the modern transformation,reflected the changes of the times with the ups and downs of the fate of the little people at the Subaltern Classes,presented and examined the pains of survival and spirit brought by social changes to the Subaltern Classes groups,and took care of the Subaltern Classes figures and the Subaltern Classes world as a whole,which had strong practical significance and profound humanistic feelings.This paper,from the perspective of Subaltern Classes writing,combines the creative ideas and aesthetic ideals of Zhu Shanpo’s novels,and discusses and studies related issues such as diversified presentation and narrative features of his novels,so as to fully tap the value significance of his creation.This paper is divided into three parts: introduction,text and conclusion.Introduction: It mainly introduces the general situation of Zhu Shanpo’s novels,combs the research status of Zhu Shanpo’s novels,defines the concept of Subaltern Classes-level writing,and briefly explains the significance of topic selection and research methods.The first chapter: focuses on the diversified presentation of Zhu Shanpo’s novels.First of all,the Subaltern Classes writing of his novels focuses on the Subaltern Classes survival and spiritual suffering,which is full of deep thinking and analysis of the Subaltern Classes survival and spiritual dilemma;Secondly,pay attention to the "certainty" and "coincidence" of the fate of the characters behind the Subaltern Classes suffering,and write the fate tragedy that the Subaltern Classes characters can’t escape and the fate cycle that can’t escape the doom in the social change;Finally,under the tide of modernization,the Subaltern Classes humanity is gradually distorted under the manipulation of money,and it is rapidly alienated in the game of power.Chapter two: It discusses the narrative features of Zhu Shanpo’s novels.This paper mainly analyzes the main narrative features in Zhu Shanpo’s novels from three aspects:double narrative posture,diversified narrative techniques and plain narrative language.Zhu Shanpo seeks breakthroughs and innovations in narrative features,and integrates modernist techniques such as metaphor,symbol and fable with postmodern techniques such as constructing narrative traps,presenting the complexity of the Subaltern Classes society,and restoring and observing the daily life of the Subaltern Classes people with the civilian narrative language close to the Subaltern Classes.Chapter three: It explores the creative motivation,value significance and limitations of the Subaltern Classes writing of Zhu Shanpo’s novels.Starting from Zhu Shanpo’s experience in riff-raff,combining with the social environment and the influence of the humanities in Guangdong and Guangxi,this paper explores the creative motivation of the Subaltern Classes writing,and then puts the Subaltern Classes writing of Zhu Shanpo’s novels into the Subaltern Classes literature in the new century to explore its significance,influence,defects and deficiencies.Conclusion: Summarize the full text,and further grasp the practical significance and literary value of Zhu Shanpo’s novels. |