Research On The Evolution Of Stage Performance Of "Lin Chong's Night Escape

Li Kaixian,a scholar in the Ming Dynasty,changed Shi Naian’s novel The Outlaws of the Marsh into the legend The Tale of the Sword,which changed both in content and ideology in the process of editing.To study the transformation of the theme of ’A Midnight Escaping Of Lin Chong’ from legend to drama,we should first discuss the emergence of the Kunqu opera opera ’A Midnight Escaping Of Lin Chong’,and analyze the evolution of Kunqu stage performance.The performance development trajectories of Kunqu opera ’A Midnight Escaping Of Lin Chong’ and Beijing opera ’Lin Chong Night Run’ are different.We should study the performance development history,specific plot and performance changes of the two genres,as well as the characteristics of the genres and the historical background of the changes in the repertoire.The essence of Running in the Night is the interpretation and interpretation of body and aria.This stage performance with high difficulty coefficient can reflect the performance skills and level of a drama actor.The performance of Hou School in Kunqu Opera’s "A Midnight Escaping Of Lin Chong" is the most influential.Mr.Hou Yongkui’s figure has absorbed the advice and lessons of his predecessors.In the performance of Kunqu Opera’s figure,there are also artistic features such as the virtuality and freehand brushwork of traditional Chinese opera performances.The two major schools of Beijing Opera,the Yang School and the Ru School,are quite famous for their portrayal of "A Midnight Escaping Of Lin Chong",and they grasp the characteristics of the two schools of figure,It can also provide theoretical support for the inheritance of physique among younger actors.The changes in appearance of Kunqu Opera and Beijing Opera actors can reflect the characteristics of the two genres and different schools,and can also understand the different views of different schools on opera characters.Rong Nian Zeng’s experimental theater version of "A Midnight Escaping Of Lin Chong" and Xu Ligong’s film "Fleeing by Night" both integrate and apply Kunqu opera performance to a certain extent.From the perspective of the three characteristics of postmodernism drama proposed by Eugen Hoffman,together with the analysis of the three characteristics of post theater mentioned by Lehman,this paper explores the experimental Kunqu opera "A Midnight Escaping Of Lin Chong" from the perspective of post theater,To make theoretical contributions to the development of experimental Kunqu opera,the use of the "play in play" form in the movie "Fleeing by Night",combined with the integration of the opera aria and plot in the movie,is a cross artistic communication for the Kunqu opera "A Midnight Escaping Of Lin Chong".The similarity between the fate of movie characters and the fate of opera characters can be reflected in the director’s exquisite design,and the opera aria and other elements in it promote the movie plot,The deepening of film themes and other aspects play an important role.There is a logical relationship between the beginning,development,and innovation of the three chapters of this article.This study focuses on the stage performance evolution of "A Midnight Escaping Of Lin Chong",with the aim of triggering reflection on the significance of the inheritance of the play and exploring the inheritance and innovation of the performance.