A Shift Of Attention Pattern

This paper takes the award-winning films of queer awards in the Three International Film Festivals in Europe as the research object,through the combing and induction of diachronic and synchronic combination,and takes the award-winning films of Teddy award,Queer Lion Award and Queer Palm Award as the starting point to conduct a comprehensive examination and exploration,trying to explore the creative trend of the award-winning films of queer awards,showing a shift of attention pattern including artistic direction and ideological content direction.The first chapter,from the perspective of concept,the concept of "queer" and queer theory from the perspective of concept,and defines queer theory as the synthesis of various interdisciplinary theories,so as to solve the problem of gender and sexual orientation,create a new pattern of interpersonal relations,and create and recognize a new way of human life as the ultimate goal.At the same time,according to the scholar Harry M.Benshaw’s five criteria for the definition and judgment of queer films in theory,this paper grasps and analyzes its development context.On this basis,focusing on the core topic of the birth of queer awards at the Three International Film Festivals,according to the establishment time of queer awards,in order of Teddy Award at the Berlin International Film Festival,Queer Lion Award at the Venice International Film Festival and Queer Palm Award at the Cannes International Film Festival,Sort out the historical evolution of its common watershed event as queer films enter a new stage of its own development.Taking the first chapter as a guide,the second chapter mainly explores the contention contained in the multi-level content observation of the winning films of the Three International Film Festivals after queer films enter the diversified development period.In recent years,through the provision of queer film directors and their production teams "side by side" with the mainstream,as well as the creative tolerance brought by the independent production mode,queer films have gradually been open to the embrace of the mainstream society,and the possibility of sound amplification for queer groups and queer films have been improved.Thanks to the change of mainstream social concepts and the improvement of market acceptance,these award-winning films can challenge the gender dichotomy more clearly and actively.Throughout,the award-winning films of queer awards have the characteristics of diversified character settings.Generally,they show the universal existence of queer groups in society from the three perspectives of character identity and occupation,age span and regional cultural mapping.At the same time,they also more deeply and comprehensively show the problem of sexual differentiation and self gaze.The third chapter draws lessons from the research methods of traditional genre films,and examines the aesthetic characteristics of queer award-winning films from the perspective of image characteristics and narrative strategy.Due to the twists and turns of historical development and the diversity of crowd composition,the relationship between queer group and "color" is particularly close.From the perspective of color use and its psychological effect,the most obvious preference of the director for the use of color is to regulate the saturation of the color as the expression language,so as to roughly present it in three levels: the elimination of color,the explosion of color and the balance of color,so as to endow the film with different emotional tone through synaesthesia,Finally,it can give play to the mobilizing image power to arouse some specific emotions of the audience.At the same time,the seven arts,as seven narrative elements,have greatly enriched the narrative art form of queer films from the perspective of results.As the eighth art,film itself has also become the narrative element of queer films.Taking painting elements as an example,this paper explores the obvious expression of the narrative potential of artistic elements,and uses the comprehensive case "chrysanthemum stone" to examine the general potential thinking about the art of "existence" in the award-winning queer films.In addition,through the adjacent and staggered queer living space and its narrative function,the award-winning queer films also takes the "home" space as the core of divergence through the choice of spatial narrative and focusing perspective,and brings the topic of queer’s current life situation from the private sphere to the public sphere.The fourth chapter refocuses the research focus on the film festival.On the one hand,the award-winning films of the queer awards of the Three International Film Festivals in Europe Select similar themes and representative queer topics in front of the stage as the fertile soil of the theme.Through different interpretation methods and creative purposes,they show different expressions with personal characteristics,stylization and thinking conclusion.Finally,they can show a new experiment of film creation that breaks away from stereotypes and goes hand in hand with artistic innovation.At the same time,more and more well-known actors are gradually engaged in the creation of queer films.In addition to the recognition of the script and artistic pursuit,queer films have also become an expression platform for actors to show their role shaping power and real strength acting skills.The strong cast also helps the film obtain higher quality presentation and bring the dominant advantages of potential box office appeal and film influence.On the other hand,the award-winning films of queer awards also show the leap of "pride" in many aspects,such as the change of social concept,the upgrading of units in the exhibition and the improvement of award-winning level,the progress of aesthetic concept,the evolution of creative techniques and technology,and becoming an independent research object in the academic circle.In addition,there is also a mutually beneficial relationship between queer films and film festivals.Taking Cannes Film Festival and Queer Palm Award as examples,this paper discusses how the film festival can finally show the "Coronation" function of the film festival through the competition for premiere rights,local support policies,the cultivation of direct directors,the favor of actor cast and other comprehensive factors.Finally,this paper attempts to summarize the creative trend of queer award-winning films in the Three International Film Festivals in Europe,which generally presents a pattern turn,that is,finally reached a tacit "reconciliation" based on the fate of the times.On the one hand,this "reconciliation" comes from the reconciliation between the protagonist and the more important incentive events in the film at the end of the limited physical time;On the other hand,the planner behind the film,that is,the director himself,has reached a certain handshake with the times or reality,and this "reconciliation" is closely related to the artistic cultivation origin and class origin,sexual orientation,the main creative categories of the film and the different ideas of treating queers of the award-winning queer film directors.With the help of the high-level platform of the Three International Film Festivals in Europe,queer films show the shift in the attention pattern of the current films making queer films,and launched another "resistance" to the silent reconciliation fate based on the fate of the times.