A Study Of Mongolian Films In The New Century From The Perspective Of Community

The research of Mongolian themed films in the new century from the perspective of the community,starting from the perspective of the community and taking Mongolian themed films in the new century as the research object.This paper sorts out the national identity and Chinese national identity presented in the films through the plot interpretation of Mongolian themed films,and expounds the manifestation of Chinese national community consciousness to the creation of contemporary Mongolian themed films.The consciousness of "kinship" of the Chinese nation is condensed in the major national collective activities of the Mongolian people,such as anti-Japanese national salvation,border guard and natural disaster relief,and finally merged into the national community to reveal the consciousness of the Chinese nation community shown in these films,and then identify China and the Chinese nation in the Mongolian group.At the same time,it tries to place the Mongolian-themed films after 2000 in the multi-cultural pattern to realize the identity of the Chinese nation community through the communication and integration of culture and ethnic groups.From the perspective of community,the connotation of Mongolian theme films in the new century is cognition.In the process of modernization development,the existence space and development confusion of Mongolian theme films are discussed,and the pain of living space migration and the anxiety of identity that Mongolian theme films face under the dual perspectives of "self-narration" and "other narration" are revealed,so as to re-establish their minority people in the construction of modernity Ethnic identity identification and culture identity.The whole thesis is divided into four parts.The first chapter starts with the review of national identity in Mongolian films,focusing on the Mongolian people’s identification of the national community in the political sense of "China" and their identification of China in the films of the Anti-Japanese War and national construction.In the second chapter,in the communication and integration of the Mongolian and Han ethnic groups,the Mongolian-themed films explore the communication activities of the Mongolian and Han ethnic groups through the mutual assistance of the Mongolian and Han ethnic groups in the Wenchuan earthquake and the historical evolution of the hundred-year inter-marriage between the Mongolian and Han ethnic groups,and achieve the identity of the Chinese nation from the ethnic emotional communication and integration of "national children".The third chapter,in the modern transformation of national social development,reveals the "pains" and adaptation that the Mongolian ethnic group has to face in the film,and objectively views the modern development of the Mongolian ethnic group from the different perspectives of self and "others".