The Application Of National Vocal Music Singang Skills In Xiang Opera "Li Zhen Returns To Home"

As the "provincial opera" of Hunan province,Hunan Opera has a long history in Hunan Province.Since June 2008,Hunan Opera was listed in the second batch of national intangible cultural Heritage list,its inheritance and protection have been strongly valued by the country.However,the survival situation of Hunan opera is still not optimistic,and the reform and innovation of Hunan opera is imminent.Contemporary Chinese ethnic vocal music is in the same line with Chinese local opera,and they have a high degree of consistency in singing skills and artistic aesthetics.Many reformist artists of Hunan opera advocate the reform of Hunan opera in singing style,and combine the sister arts such as ethnic vocal music and Bel canto to promote the innovation and development of Hunan opera’s singing style."Li Zhen Returns Home" is a modern drama of Hunan opera performed by Hunan Theater in2009.The singing voice of "Xiu Sister",played by Peng School and Pang Huanli in Qingyi,reveals the connotation of the singing reform and innovation of Hunan opera.In this paper,the author will take Sister Xiu’s rendition of "Three Elder Brothers should not be Qi" in Li Zhen’s Return to the Hometown as an example,combined with the author’s learning experience of ethnic vocal music and Hunan opera and Pang Huanli’s singing video and personal literature,analyze the ethnic vocal music singing skills used by Pang Huanli,Qingyi of "Peng School",in this rendition,hoping to find the similarities between Hunan Opera singing and ethnic vocal music singing.This paper sums up the rationality of "Peng School" Qingyi in the innovation of voice,so as to better grasp the singing style and singing skills of Hunan opera modern opera,and take the advantages of the two to contribute to the development of Hunan opera singing and ethnic vocal music.