A Study Of Huang Xiaoshu’s Ci

Huang Xiaoshu is a famous lyricist,calligrapher,epigrapher,etc.In modern times,his Ci have a certain status in the thirties and forties of the 20 th century,and he and Xia Jingguan initiated Oushe,the establishment of a famous word society in Shanghai.Huang Xiaoshu’s lexical achievements are mainly found in his two collections,namely The Ci Collection of Gongan and The Ci Collection of Laoshan,which have high artistic value and deserve further study.Huang Xiaoshu’s lexical creation is closely related to his life experience.He became famous in Shanghai in the early stage,and sang with celebrities such as Zhu Zumou,Xia Jingguan,Long Yusheng,etc.He pinned his thoughts on "tired of traveling in the lake and the sea" in The Ci Collection of Gongan;The later lyricist was intoxicated with Laoshan,took the mountain stone as a friend,and forged the second half of his life into The Ci Collection of Laoshan to show the eternal complex.Whether it is the wandering in Shanghai in the first half of his life or Laoshan,the last old man in the second half of his life,his works are rich in connotation,rich in exquisite workmanship,and are unique and distinct in the lyric circle of the Republic of China.On the one hand,Huang Xiaoshu’s lyric achievements are due to his travels in Shanghai,and the exchange and singing between teachers and friends in the lyric world are an important cornerstone for laying his lyric personality,making him clear about his creative direction;On the other hand,Huang Xiaoshu is an all-round writer,he is not only good at lyrics,but also poetry,calligraphy and painting,and is also proficient in classical philology,epigraphy and other fields.The main part of this article is divided into three chapters: the first chapter is <The Life,Theory of Words,and the Publication of Lyrics>.Based on the life experience of the lyricist,this chapter comprehensively shows the creative achievements of the lyricist at different stages of life,explores his lexical concepts,sorts out the source of the editions of the two collections of The Ci Collection of Gongan and The Ci Collection of Laoshan and the publication of periodicals,and provides a glimpse of the special style of the lyricist formed by the lyricist of the Republic of China relying on magazines.The second chapter is <Huang Xiaoshu’s Career in Shanghai and The Ci Collection of Gongan’s Ideological Content>.Combined with the background of the lyricist’s era,this chapter explores the rich connotation of The Ci Collection of Gongan from the two levels of current affairs and singing.The lyricist’s travel career in Shanghai not only contains the hatred of his life,the bitterness of homesickness and the desire to escape from the world,but also reflects the prosperity of his travels,and the lyricist’s exchanges with people of different identities have an impact on his creation.The third chapter is <Huang Xiaoshu’s Laoshan Complex and The Ci Collection of Laoshan Writing>.Based on the text,the origin of the Laoshan complex of the lyricist is further explored,that is,the inheritance of landscape literature,the long-cherished wish of Laoshan at the end of life,and the unique expression of the painter’s identity.Then,this chapter deeply explores the emotional content of The Ci Collection of Laoshan,not only the rich content of "Ten Thousand Hills and Thousands of Rocks",but also the unique emotional sustenance of Huang Xiaoshu in Laoshan,and analyzes it into three stages: Laoshan traveler,Laoshan confidant,and Laoshan at the end of the year,showing the lyricist’s progressive emotional changes to Laoshan.Finally,the artistic characteristics of "Rich and Beautiful" in The Ci Collection of Laoshan are analyzed in detail,and the breadth and depth of the creation of the collection are explored from the two aspects of content and characteristics.