Reflections On The Art Theory Of Dunhuang Grottoes In China In The 20th Century

This paper focuses on the theoretical research on the fine arts of the Dunhuang Grottoes in China in the 20 th century,sorts out its historical clues,reveals the difficulties and challenges encountered in the theoretical research on the fine arts of the Dunhuang Grottoes in China in the 20 th century,and highlights the characteristics of the theoretical research on the fine arts of the Dunhuang Grottoes in this period.The influence of the research,sorting out and studying the results of the 20 th century Chinese Dunhuang grotto art research,in order to promote the construction of the Chinese Dunhuang grotto art theoretical system.With the discovery of the Buddhist scriptures cave,academic circles began to pay attention to the theoretical study of Dunhuang Grottoes art.A large number of artists have promoted its development in Dunhuang art practice;the theoretical research on Chinese Dunhuang Grottoes in the 20 th century is mainly reflected in art theory,art exhibitions,art journals and academic conferences,etc.Its influence is also in the study of Chinese art history,art creation,college teaching and degree awarding.However,there are still problems such as weak basic theoretical research,insufficient personnel training,and insufficient connection with other disciplines in the current theoretical research on Dunhuang Grottoes art.The theoretical research on the fine arts of the Dunhuang grottoes in China in the20 th century is the rediscovery and re-understanding of the traditional culture and art in the art of the Dunhuang grottoes by researchers.Their research and exploration had a profound impact on the development of modern Chinese art in the 20 th century,expanded the connotation of traditional art,and had enlightening significance for building national cultural self-confidence,enhancing national awareness and national cultural identity.