A Study On The Multi-text Morphology Of The Hani Narrative Long Poem "Loqiluoye And Zaszai"

"Lochiloye and Zaszzai" is a long folk narrative poem of the Biyue branch of the Hani ethnic group,which is widely spread in the Hani Autonomous County of Mojiang,Pu’er City,Yunnan Province and its surrounding areas.In recent years,with the creative transformation of the excellent traditional Chinese culture and the development of concepts such as the protection of local intangible cultural heritage,"Lochiloye and Zaszzai" has come back into the public view.Historically,"Loqiluoye and Zaszai" has been handed down by word of mouth,and has been continuously passed down in the Biyue branch of the Hani ethnic group ever since.The collection and collation of this long poem began in the 1950 s,and was listed in the county-level intangible cultural heritage list in 2005 and the national intangible cultural heritage list in 2011.Despite this,the long poem has still not received enough attention,but it has rich connotations,and its research has far-reaching significance in literature,folklore and other fields.Based on the previous research results,combined with the data collected from the field survey,and guided by the theory of narratology,this paper re-examines and deeply analyzes the collection and arrangement work,the evolution of the text form,and the narrative characteristics of the text.The purpose is to explore the value of the ethnic cultural psychology and diversified text forms accumulated in the long-term spread of narrative long poems to the inheritance of long poems,and to reflect on the way of inheritance and development and the way of protection of intangible cultural heritage of "Lochiloye and Zaszzai" in the modern context.The first chapter,by reviewing the discovery and evolution of the text form of’Lochiloye and Zaszayi’,the collection,organization,publication,and application for World Heritage are discussed.The collection work is divided into three stages,namely ’collection and organization in the 1950s’,’ rediscovery after the Cultural Revolution ’,and’ three publications after the 1990s’.Subsequently,explore the overall evolution process of the text form,and define the concepts of "main text" and "derivative text".Place oral texts and written texts published based on oral text records under the category of "main text",while image texts and song texts under the category of "derivative text".The second chapter,taking six oral versions of the long poem collected from the field survey and five published written versions as the research object,summarizes the ideological and narrative characteristics of the main text based on the narrative through careful reading of the text.The third chapter,first of all,uses the theory of image narratology to explain the creative characteristics and narrative art of the image text in the derivative text.With the interactive relationship between the image and text and the narrative and painting performance as the starting point,it focuses on the narrative characteristics displayed by the comic strip and relief art;Secondly,it explores the content and function of the songbook from the perspective of music art.The fourth chapter compares the main text and the derivative text juxtaposed,focusing on the relationship between multiple texts.First of all,starting from the main text,this paper analyzes the two most prominent changes;Secondly,it explains how the derivative text can restate the main text from the transformation of multi-level space-time dimension and "de-context";Finally,it explores how to realize the transformation between multiple texts from the aspects of story script and ethnic symbols.The fifth chapter focuses on the transformation of cultural resources to cultural capital,the expansion of modern singing space,and the evolution and interaction between the transmission and reception sides,and ponders the value of the multi-text form of Lochiloye and Zaszzai for its transmission.Finally,based on the current situation,we should reflect on the modern inheritance and the protection of intangible cultural heritage of "Lochiloye and Zaszai" in the modern context.