Enamel Color Illustrations Of Qing Dynasty From The Perspective Of Cultural Fusion And Its Derivative Design Research

Qing Dynasty enamel is an important heritage of Chinese ceramic craft,and its image decorative art is an important carrier of social life and spiritual culture in Qing Dynasty.Qing Dynasty is a multi-cultural coexistence period in the history of our country,because of the communication between the Qing Dynasty and Western countries in economy and trade,copper tire painting enamel was introduced into the court of the Qing Dynasty,and Qing Dynasty produced porcelain tire painting enamel technology on the basis of copper tire enamel technology.Based on the Qing Dynasty enamel images as the research object,this paper made use of field research and the analysis of the enamel data and literature,verified the Qing Dynasty enamel images with the cultural attributes and image Geng’s analysis and research,verified that the Qing Dynasty enamel images have the multi-cultural attributes of Manchu,Mongolian,Tibetan,Han and Western,and made a more systematic classification and research of the multi-cultural images.On this basis,from the basic meaning of the image,image cultural connotation and composition of the in-depth interpretation,among which the basic meaning of the image is the interpretation of the multicultural characteristics of enamel;The cultural connotation is the study of enamel’s multi-image auspicious meaning,multi-thoughts,cultural connotation and composition art.Composition is the analysis of enamel images in the Qing Dynasty,the composition of blank composition,hierarchical composition,open-light composition,separate pattern composition and other composition forms.Finally,the use of modern formal beauty law for decoration techniques,the combination of decorative images of different cultures and cultural derivatives.May further carry forward our country’s traditional culture;Meet the spiritual,cultural and practical needs of consumers;Enhance the added value of the product and create a brand design that is relevant to the region.Based on the above research,we hope to make a more systematic analysis on the Qing Dynasty enamel pictures and analyze the multi-cultural characteristics of Qing Dynasty enamel paintings,and enrich the existing theoretical knowledge on the art of enamel ceramic images.It provides theoretical basis and reference for the study of image culture,drives the development of cultural economy and provides new ideas and vitality for academic research and designers.