| In the oil painting still Life of Materialized Life,the author shows the situation of "lamp"--life.Common objects in life are taken as the main material of this creation.On the surface,the image presented in the painting is lamp,but in essence,it is the miniature of the author’s will to life.In the creation process of Materialized Life,the author’s will is materialized into the lamp in the painting,which symbolizes the author’s will.The author is influenced by Schopenhauer’s pessimism.In this creation,the author uses the lantern as a symbol of personal will,a metaphor for life,and the changes of the scene in the painting as a symbol of personal circumstances.The colors presented in the work have been subjectively processed,so that the overall colors of Materialized Life are in a unified and simple color structure,which is the artistic effect pursued by the author and reflects my inner world.In the practice of creation,I rely on still life objects for modeling.In terms of modeling,the image of the lantern in the canvas and the physical lantern in the canvas do not do deformation,stretching,distortion,etc.,but I try to inject my own perspective understanding into the picture composition and color,so that the color of the picture is unified and simple.The oil painting of materialized life still life takes the lantern as the material,highlighting the subject itself in the composition and reducing the appearance of other objects,so as to create the concept of "emptiness".In the creation of Materialized Life,the author expresses his inner anguish and depression with color."Materialized Life" series oil painting still life creation adopts mixed painting method,on the canvas,recorded the author’s traces of life.Philosophically,the author uses symbolism to engrave spiritual content in his works,while in concrete creation practice,he refers to realistic techniques.In the creation of Materialized Life,the author uses realistic techniques to express personal circumstances and present the inner world.This paper studies the creation of this theme from three aspects.The first part explains the theme of creation,the second part gradually forms the style of the work during the exploration,and the third part is about the construction and analysis of the painting language of the work. |