The Composition And Aesthetic Connotation Of The Long Volume Fu Nian Fu

Based on the festival activities of the Li people in Hainan province,this topic creates the long scroll Fu Nianfu with gu Kaizhi’s Nu Shi Zhen tu and Luo Shen Fu tu,and Gu Hong’s Han Xizai Night Banquet and other long scroll horizontal composition as reference.As a common form of traditional painting,the long scroll has a strong narrative effect,so it is more appropriate to use the long scroll banner composition to represent the traditional festivals of the Li people in Hainan.As a result of watching and showing the way to change,the banner scroll by the side of the exhibition put away,to completely spread out display,so in the creation of long volume of work on the scale should also be adjusted appropriately,enhance the visual effect of the whole picture.This topic is divided into four parts to discuss,the first part,the traditional long scroll figure painting composition of the background of the general situation,analysis of the significance of the research,determine the research method;The second part analyzes the scattershot perspective composition of the long scroll of Chinese figure painting,specifically analyzes the concept of scattershot perspective and moving scenery,and analyzes the narrative and visual nature of scattershot perspective.The third part will analyze the composition form of the author’s painting "Fu Nian Fu",specifically to the timing arrangement of the narrative plot,the "separation" and "linkage" of tropical plant images and the rhythmic expression of the combination of characters in the picture.The fourth part is the creative practice of "first read first" long works,long works are introduced in detail,the creation idea and performance of the journal first read first content,specific analysis of ornamental characters,the characters of complanation and graphics inductive introduced,at the same time to count to the performance of traditional painting,the author USES the way of the combination of the color of light on the image and not thin dizzy catch.Finally,it summarizes the practice and application of traditional long-roll figure painting composition in painting "Fu Nian Fu".It is of great significance to help us grasp and innovate Chinese painting by studying the composition form of long scroll figure painting.