On The Structure Processing And Freehand Aesthetics In The Stage Presentation Of Postmodernism

With the continuous development of China’s modernization,in the 1960 s and1970s,Chinese theatrical directors became more open in the concept of drama,and also more bold in the creation process.A variety of methods of expression and creative ideas can be said to be open.Therefore,postmodern drama has been widely concerned and discussed at the beginning of its birth,and has been influenced to this day.It can be said that it is a drama form born in the "new period".It is a transformation of the art form of traditional drama,which can be called an "innovation movement".1In this paper,the author will adapt and create the text based on the Biography of Feng Yan by Shen Yazhi in the Tang Dynasty,and draw lessons from Mr.Zou Jingzhi’s I Love Peach Blossoms.The author will carry out creative practice in the aspects of role setting,human nature mining,stage design,music and sound,and form theoretical thinking and summary in the process of practice.This paper aims at the study of post-modernism drama,based on the second creation,focusing on the specific rehearsal process of the drama Feng Yan Biography,focusing on the rich stage vocabulary and diversified expression techniques in the play,and digging out the true connotation of the story conveyed in the play of "self-abnegation and restoration".This paper is divided into four parts.In the introduction part,aiming at the characteristics of postmodernist drama and the research significance of this paper,the author discusses the director’s innovation in the second creation,and carries out the innovation in script adaptation and stage presentation from many aspects and angles.Including the combination of traditional culture and contemporary drama,the treatment of structure,the relationship between performance and freehand aesthetics,etc.,it shows the "cruelty" in the aesthetics of postmodern drama in a rebellious way,echoes the deep meaning conveyed by the work with the real society,so that the events happening on the stage are not only hypothetical events in the drama.It is also an event in life,in-depth research on the creation characteristics of postmodernist drama.The author hopes that through this practice,in the process of learning and creation,the author can feel the charm of postmodern drama and excavate the deep connotation of the play,so that the audience can feel the aesthetic feeling of different from the traditional drama by watching the drama Feng Yan Biography,and at the same time inspire people to think about the current real life and examine themselves.In the face of the current material era,I can keep sober,take responsibility,feel the interpretation of love in the work,the expression of the characters’ emotions,and feel the characters’ examination ofhuman nature again and again.