A Comparative Research Of Modern Desert Literature Between China And Japan

In recent years,with the sound and fury of modern cities and the pressure brought by the fast pace of life,more and more people begin to yearn for freedom and yearn for the primitive and simple life.People imagine the romance and freedom of desert life described by writers like Sanmao,and are obsessed with the unique mystery and magnificent beauty of desert.So much so that some Japanese writers have invented a desert "field" in their works [a field can be defined as a network,or configuration,of objective relations existing between various locations.Furthermore,the field is a kind of social space with relative independence,which is not only the mark of the difference between different fields,but also the basis for the existence of different fields.] For the restless soul.This paper will combine the works of Chinese writers San Mao,Guo Xuebo,Xue Mo and Yang Xianping,and Japanese writers Yasumoto and Yasushi Inoue to compare and study Chinese and Japanese modern desert literature.In the introduction part of this paper,the definition of desert literature and its similar concepts are briefly described,the concept of desert literature is summarized,and the classification of desert literature is discussed.It is clear that desert literature does not belong to the absolute point of view,which can be regarded as a link of ecological literature and can be said to be the product of the development of natural literature.Secondly,it briefly introduces the advance research of desert literature and the origin of the problem.Finally,the method and practical significance of this paper are expounded.The first chapter briefly explains the desert image and desert culture in desert literature.Firstly,it discusses the aesthetic attributes of desert image and the utopian nature of healing people as a spiritual aesthetic image.Secondly,it discusses the mysterious cultural customs of the desert area and the self-return of the "desert man" who lived in the desert for a long time.The second chapter focuses on the similarities between Chinese and Japanese modern desert literature.First of all,the author discusses the meaning of desert home,taking "desert" as people’s soul habitat and spiritual hometown to demonstrate.Secondly,it describes the vitality of the desert,including the external pentium and the internal vitality.Then it discusses the unique aesthetic feeling of the desert that the writers of modern and modern China and Japan have dug up,and expounds the beautiful scenery of the desert.Finally,this paper introduces the common desert complex,which is hidden in the heart and injected into the soul,and the significance of the desert complex beyond the desert literature itself.The third chapter discusses the differences between Chinese and Japanese modern literature.First of all,China’s vast territory and abundant desert landscape provide realistic subjects for writers.Therefore,Chinese modern desert literature is realistic.Secondly,it discusses the lack of desert resources in Japan,and the writers have a strong subjective imagination when writing about the desert,so the modern Japanese desert literature has a romantic character.Finally,the thesis compares the story of Chinese modern desert literature with the philosophy of Japanese modern desert literature.