A Study On The Bottom Narrative In The Novels Of Shanxi New Writers From 1989 To 2020

The new writers group of Shanxi Province have formed relatively rich creative achievements and presented different creative styles,becoming a new link in the Shanxi literature chain.Most of this group of writers arose around the new century,and they inherited the realistic literary spirit of Shanxi.Their unique regional cultural cultivation,the personal experience of poverty in childhood and the marginal experience in adulthood make them always focus on the writing of the living state of the small characters in their novels,and always carry bright colors and hopes between the lines of describing the plight of the bottom characters.In the artistic way of writing,realism is taken as the background color to explore the modern style of expression.The novel creation of Shanxi new writers group,whether ideological or artistic,is of great significance in the literary history of low-level narrative research.Therefore,this paper discusses the novel creation of Shanxi new writers group from the generative context of low-level narrative,the presentation of low-level image,the spiritual direction of low-level narrative,the presentation of low-level narrative art and the thinking of low-level narrative.This paper takes the novels of Shanxi new writers group as the research object,the content is divided into five parts.In the introduction,the author first talks about the origin and definition of "Shanxi new writers group" and "bottom narrative".Secondly,the research status of this topic is summarized.Finally,the research methods,characteristics and value of this paper are summarized macroscopically.The first part is an in-depth study of the underlying narrative context of Shanxi new writers group novels.Growing up in the double transition period of urbanization and literature,these new writers in Shanxi have chosen serious realism in the market economy era surrounded by consumer culture and commercialization,and have been supported by Shanxi pure literature periodicals.At the same time,they have their own unique aesthetic choice,and choose to accept the literature that traditional writers pay attention to the metaphysical existence of little people.Moreover,the closed and harsh natural environment,the long civilization of advocating pragmatism and the realistic literature spirit of Shanxi predecessors were their unique regional context.The most unique thing is that they have the poor rural life experience in childhood and the wandering rural edge experience in the process of pursuing their dreams as adults,which foreshadowed their low-level writing.All of these constitute the generating context of the bottom narrative of Shanxi new writers’ novel creation.The second part mainly tries to present the bottom image in the novel creation of Shanxi new writers group.In this part,the three Spaces of city,country and urban-rural interwoven belt are used to show the people crawling in the city,the bottom miners of urban-rural interwoven belt,and the rural bottom baptized by modern civilization.Among them,there are not only the continuation of the existing bottom image in ancient times,but also the excavation of its own bottom image,injecting the connotation of The Times and new elements for the bottom image.The third part is mainly to Shanxi new writers at the bottom of the narrative spirit direction.First of all,it discusses the breakthrough of the bottom to the survival predicament independently in the creation of the novel,that is,through helpless tolerance,escape from the predicament,extreme resistance under the absurd situation,the return of the native homeland,the transcendence of love and religious salvation.Then,it discusses the understanding criticism of the new writers in Shanxi on the distorted human nature and urban disease at the bottom in the extreme environment,and the deep praise for the good human nature in the predicament,and the hope for the reconstruction of rural material civilization and spiritual civilization is permeated in the writing vein.Finally,it is the writer’s philosophical thinking on the metaphysical existence of the bottom people,that is,the endless hardships still in the absurd situation.It can be seen that Shanxi’s new writers dig deep into the spiritual direction of the bottom narrative.The fourth part mainly focuses on the artistic presentation of the bottom narrative in the novels of Shanxi new writers.Through the text analysis of Shanxi new writers to the bottom of the narrative classic mode to break out and explore;How to show the bottom life from the dual perspective of the city and the multi-dimensional perspective of omniscience and knowledge limitation;How to use realism as the background of modern techniques to present the bottom of the spiritual dilemma and break through;How to use the sound and landform prototype of Sanjin region as the background of the bottom life.The above unique artistic presentation methods all show the unique writing strategies of the bottom narrative of Shanxi new writers group.The fifth part is to treat the significance value and calm reflection of the bottom narrative research of Shanxi new writers’ novels from the perspective of development.The novel creation of these new writers updated the writing experience of the bottom narrative,that is,the bottom narrative should combine the ideological and artistic,including the writing attitude of consciously walking into the masses,the writing purpose with bright color and hope when writing suffering,the attention to the spirit of the bottom subject,The exploration of writing combining authenticity,popularity and artistry and the underlying narrative should pay attention to reader identification and social function also make us further think that the underlying narrative theory is still lacking and there are two paradoxical situations.In addition,serious low-level narrative writing is the new development of realism at present,and has practical significance under the superiority of new media communication.In today’s prosperous development of market-oriented economy,it is more necessary to construct a value theory system that returns to reality and literature.Low-level narrative is the combination of realism and pure literature,which not only pays attention to the low-level,but also returns to the literary aesthetic category.