This paper examines Zhang Zhao’s piano piece "In That Faraway Place" from three aspects: musical ontology analysis,performance technique and stage practice,and innovatively introduces the concept of "mood" in traditional Chinese culture and art,using the perspective of "mood" as a logical clue.This paper is based on the concept of "mood" in traditional Chinese culture and art.Through the interpretation of the music itself,the overall structure and mood changes of "In That Faraway Place" are deeply understood.By combining with the author’s stage practice,the author analyzes in detail the key touch and timbre control,the use of ornamentation,the handling of vocal layers and the use of pedals in the performance of this work.Finally,the author performed the work on stage and summarized the relevant stage experience. |