A Reclassification Test Of The Ancient Rhyme Based On The Sound System Of The Chujian Script

At present,a number of paleo-phonologists have reclassified the traditional ancient rhyme divisions,and this paper compares the reclassification of the ancient rhyme departments of Wang Li,Starostin,Zhengzhang shangfang,William H.Baxter,Laurent Sagart,and selects the six rhyme parts of Gebu(歌部),Yuebu(月部),Yuanbu(元部),Weibu(微部),Wubu(物部)and Wenbu(文部)with different reclassifications,and analyzes the distribution of each rhyme part in the Middle Ages after reclassification.Secondly,using Professor Yang Jianzhong’s"Warring States Chu Jian Harmonic Sound Pass False Series"to observe the distribution of the above six rhymes in the Warring States Chu Jian in the Middle Ages,in order to examine and test the reclassification of the four ancient rhymes.This article is divided into five chapters.Chapter 1: Introduction.This chapter mainly expounds the research overview of the research of the five ancient rhyme departments of Wang Li,Starostin,Zhengzhang Shangfang,Pan Wuyun,William H.Baxter,Laurent Sagart,as well as the current research status of the Warring States Chu script and ancient sounds,and helps the specific research issues and research significance of this paper.Chapter 2: Harmonic Series Correction.This chapter mainly analyzes the harmonic sound symbols of the "Warring States Chu Jian Harmonic Sound Pass False Series" from three aspects: the ancient character glyph,the phonetic relationship between the main harmonic character and the harmonized word,and the semantic relationship between the main harmonic word and the harmonic word.The specific proofreading content is divided into three categories: 1.Eliminate unsympathic words;2.Add harmonic words;3.Calibrate harmonic words.Chapter 3:Reclassification test of Gebu(歌部),Yuebu(月部),Yuanbu(元部).The Gebu(歌部)can be divided into two groups,which are manifested as opening and closing mouths;The Yuebu(月部)can be further divided into four groups,which are manifested as opening and closing mouths opposing each other,and going into different voices;The Yuanbu(元部)can be further divided into five groups,which are manifested as opening and closing opposites,complementary one and four,and different combinations of blunt and sharp vowels.Comparison with the three:1.The performance of Chujian and the three branches recognizes that some of the ancient rhyme mothers can be reclassified according to the situation of vocal rhyme matching;2.Chujian has different opening and closing mouths,one or four complementary,and the situation of different de-entering sounds is consistent with the three rhyme mother systems;3.The*-ar part of the William H.Baxter,Laurent Sagart division should be independent of the Yuanbu(元部)and not swayed to the Gebu(歌部)and Yuebu(月部).Chapter 4:Reclassification and Inspection of Weibu(微部),Wubu(物部)and Wenbu(文部).The Weibu(微部)can be further divided into four groups,which are manifested as the opening and closing of the mouth opposite,and the blunt and sharp vowels are different;The Wubu(物部)can be further divided into three groups,which are manifested as opening and closing opposites and de-entering opposites;The Wenbu(文部)can be further divided into three groups,which are manifested in the opening and closing of the mouth opposite,the blunt sharp tone with different,and the rich third-class rhyme.Comparison with the three:1.The performance of Chu Jian and the three branches all recognize that some of the ancient rhyme mothers can be reclassified according to the situation of rhyme matching;2.The opening and closing mouths are different,the first and fourth complements each other,and the situation that the sound is different is consistent with the three rhyme mother systems;3.The*-er part of the William H.Baxter,Laurent Sagart division should be separated from the Wenbu(文部)department and not swayed to the Weibu(微部)and Wenbu(文部).Chapter 5: Conclusion.Summarize the full text.