Research On The Musical Structure Of "Namtso" By Ye Xiaogan

In China’s contemporary new music creation,in order to better use the world language to tell Chinese stories,Western and non-Western music elements are constantly infiltrating and merging.Such creative techniques can not only spread Chinese music culture,but also properly reconcile the differences between Chinese and Western listeners’ acceptance and appreciation of music.Ye Xiaogang,one of the "fifth generation composers" in China,is the iconic figure of this kind of creation.His creation involves a wide range of subjects and novel composing techniques,which is highly praised at home and abroad.This paper selects Namtso,a piano work with Chinese national characteristics and integrated with western composing techniques,as the research object,reveals the general modern music characteristics of the works,and makes an in-depth and detailed discussion on the “variety rhytnm” characteristics contained in the works.At the same time,it also expounds the creative thinking of the works with diversified pitch materials.In the aspect of structural layout,the composer not only uses the Qupai style and board cavity structure of Chinese traditional music structure,but also adopts the three-part structure of western music,which makes the work structure have the characteristics of "variety structure".