Analysis Of The Construction Practice Of Multimodal Metaphors In Realistic Micro-film

With the rapid development of modern digital technology,domestic micro films are living and multiplying in a kind of folk standpoint and way.Reality-themed micro films have attracted wide attention because they focus on social issues.However,due to the influence of the market orientation of "flow is king",high-quality creation chain is difficult to form.In particular,micro films with realistic themes generally have the problem of lack of metaphor image and deep integration of delicate narrative.Multimodal metaphor uses a variety of modal representations,gives play to the synergistic effect,actively mobilizes human sensory systems,and promotes the deep integration of metaphorical images expressed in works with narrative.At present,domestic scholars have made fruitful achievements in the research of multimodal metaphor theory and its application in static media texts,but the research on the theory and application of dynamic texts such as micro films is still in its infancy,especially the application of realistic micro films is relatively scarce,and most of the research is limited to the cognitive construction of advertising micro films.Therefore,based on the multimodal metaphor theory,this paper carries out practical creation for the problem of "how to deeply integrate the metaphorical image of reality-themed micro films with delicate narration",in order to make reality-themed micro films have deeper social significance and achieve the same frequency resonance with the audience’s realistic emotions.Based on the theory of multimodal metaphor,this paper takes the graduation work "Anonymous" as an example to discuss the construction of multimodal metaphor in realistic micro-films.It mainly includes the following parts: the first chapter,introduction.This paper introduces the research background and significance,research overview at home and abroad,and research ideas and methods.The second chapter defines the connotation of the reality theme and the concept of multi-modal metaphor,and briefly discusses its dynamic narrative,lively interaction and reversible characteristics of the dual domain.In the third,fourth and fifth chapters,the construction of visual,auditory and language modes in practice is analyzed in combination with the film "Anonymous".Chapter three discusses how to use visual modes to construct figurative metaphor.This paper analyzes and explains from three dimensions:physical metaphor,modeling metaphor and picture color metaphor.Chapter four discusses the application and importance of auditory modes.In order to further fill the internal emotions of the film,it is necessary to start with the auditory elements such as music,sound and silent blank space,and interact with the visual modes for comprehensive presentation.Chapter five illustrates the strengthening effect of language modes on imagic metaphor of realistic micro-films,and analyzes it in detail from the aspects of film title,dialogue and character shaping intention.Chapter six summarizes the creative experience of the graduation work "Anonymous" from the aspects of theoretical summary,content creation,deficiencies and prospects,and carries on in-depth thinking.After practical creation and theoretical analysis,the author believes that the multi-modal metaphor construction in micro film is based on visual mode as the core,auditory mode as the auxiliary,and language mode as the reinforcement.Through various combination methods,such as source domain picture--target domain sound picture,source domain sound picture--target domain sound picture text,source domain sound picture text--target domain sound picture text,dynamic interactive comprehensive presentation of each other.Work together to create a variety of conceptual metaphors in micro films.The participation of a variety of sensory media makes the form of metaphor more expressive and diverse,reflecting its dynamic narrative and vivid interactive characteristics.At the same time,the author also found that the reversibility of source metaphor and target domain not only exists in a fixed space virtual mapping,but also can break the restrictions of time and space and dimension,and realize the interaction between virtual and reality.In other words,through the process of metaphor,the author consciously focuses on the characteristics presented by the source domain and the target domain according to the content,constructs the image according to the sensory characteristics,and constructs a double-domain reversible relationship between the film and the audience like a "U-shaped circulation tube".