The Study Of Animation Graphic Narration Under Carnival Poetics

Animation as a collection of the painting,photography,movies,music,literature and other art forms,a comprehensive art form the picture language often with the help of a painting,photography,elaborates the related theory,audio-visual sexual was to film features,narrative and lyrical and covered by the relevant literature and music theory,each kind of theory from different dimensions interpretation is given.This paper takes Bakhtin’s carnival poetics theory as the key point,so as to expand the research radius of animation theory and explore the possibility of animation creation under carnival poetics.Starting from the four main categories of carnival poetics,this paper brings the current situation of the development of contemporary Chinese animation into it,and analyzes and demonstrates the relevant animation works with examples.First of all,this paper discusses the carnival of the development of literary genre,mainly based on the related areas of Solemn and Banter is described,and the characters of Socrates’ dialogue and speech to irony,and combining with the carnival animation carnival poetics summing up of the four main categories: intimate,vulgar,bizarre and condescending.After that,four categories of carnival poetics are elaborated to further elaborate the ideological and political nature contained in carnival poetics.Carnival intimacy is the most obvious and common mood feature in carnival square.The cancellation of stage boundaries and the arrangement of daily life not only brings endless laughter and joy to people,but also lays an emotional foundation for people to get rid of dogma,authority and seriousness.The vulgar speech form and grotesque image design further transpose the "up " and "low ",and further disintegrate the sanctity of words and proverbs.The grotesque is not only the rebellion against the classicism aesthetics,but also the self-satisfaction of its independence,which reflects the mockery and destruction of the old rights and truths.Finally,from the perspective of concept dimension,the body metaphor of "admiring the lower and suppressing the upper" reveals the life attitude of carnival poetics towards death;In the process of cultural development,we should draw nourishment from folk culture,especially the will to renew and regenerate.And that the real value of everything should be re-established from the point of view of people and dialogue.Therefore,the animated graphic narration under carnival poetics can be summarized as follows: First,the completion and polysemy of the dialogue in carnival cause multiple understandings of the images and rituals in carnival,reflecting an unfinished state of carnival poetics;The second is the inversion of the double meaning and meaning of carnival poetics,which puts all images into a two-sided together and establishes human rights and dignity from the repetition of coronation and uncoronation.Third,Bakhtin’s carnival poetics theory plays a guiding role in the development of animation because it can cross the boundary of time and space,so as to resolve the stand of confrontation with the world in group dialogue.