A Study On The Ink-Wash Technique And Its Influence In The Song Dynasty Sunknown Volume Of "Baihua Tu"

Wang Yuanqi once said,“If you can not learn from the past,you can not walk at night without fire.”[ Wang Yuanqi,“A pen in the rain window,” chap.6,Xileng Press,2008,P 85.The Chinese traditional culture is broad and profound,leaving many cultural relics materials for the posterity’s art study and creation.“Hundred Flowers”volume is the Southern Song dynasty years have a fresh and refined,elegant and interesting characteristics of fine brushwork flower and bird painting works.With its unique ink and wash technique,the volume of“Hundred Flowers” is engraved on the stone tablet of history.Based on the ink-wash technique of the unknown volume of“Baihua Tu” in the Southern Song dynasty,this paper proposes the conscious creation of the volume of“Baihua Tu” in the creation of flower-and-bird paintings in the Song dynasty.Including line-ink fusion,blending lines on the surface of the screen performance,vivid freehand,simple and nimble image molding,elegant poetic circulation of the dark simple mood molding.This paper studies the use of ink in Song dynasty flower-and-bird painting.And combined with the screen analysis of the impact on future generations,its historical value and its impact on later literati painters,it is of practical significance to develop the aesthetic meaning and artistic conception of Chinese fine brushwork flower-and-bird painting.From the current fine brushwork flower-and-bird painting creative method can be used for reference.Taking the ink technique interpretation of the volume of“Baihua Tu” as an opportunity to further understand the specific use of a single ink color in the picture.Combined with the simple and elegant image of the picture,comprehend the aesthetic taste of artistic creation,inspire us to create the flower and bird paintings with the flavor of the times.