With the highlighting of the ecological crisis in modern society,the survival and spiritual home of humanity is facing a situation of loss.Chi Zijian,with the responsibility and responsibility of a writer,provides a true reflection of the ecological environment in her ecological literature writing.Exploring the generation of Chi Zijian’s ecological novels,it can be found that she used the Arctic Village where she grew up in childhood as the source of creation,implementing the humanitarian care in Russian literature into ecological literature writing,and enriching the cultural connotation and artistic form of her novels with the content and form of folk literature,constructing her own ecological literature view with traditional ecological ideas.The author believes that the power of beauty is powerful,so she spares no effort in showcasing the power of beauty and harmony in her ecological novels.Even if she expresses concern about ecological imbalance,she must use the power of warmth to redeem human nature.Between leaving and returning,she reflects on modern civilization and identifies with returning to her natural home.Chi Zijian’s ecological novels have their unique narrative strategies.The clever use of narrative language,perspective,and space not only endows her novels with unique narrative art,but also enables the ecological wisdom of harmonious coexistence between humans and nature,which is commonly recognized in contemporary society,to be fully implemented and realized in her narrative representation.The paper consists of five parts: introduction,narrative cultural resources of Chi Zijian’s ecological novels,narrative themes,narrative strategies,and conclusion.The introduction section consists of three sections.The first section discusses the reasons and significance of the topic selection in the paper;The second section defines the concept of ecological literature;The third section introduces the current status of narrative research in Chi Zijian’s ecological novels.The first chapter analyzes how Chi Zijian’s ecological novels were generated based on narrative cultural resources.The first section focuses on Chi Zijian’s personal life experience,exploring the influence of her spiritual hometown,Arctic Village,and Russian culture on Chi Zijian’s ecological literary creation;The second section analyzes the influence of folk literature on Chi Zijian,and explores the reference of Chi Zijian’s ecological novels to the form and content of shaman songs and mythological legends;The third section analyzes the infiltration of traditional ecological ideas into Chi Zijian,starting from the idea of the unity of heaven and man and the concept of all things having spirits.The second chapter mainly analyzes the theme and connotation of Chi Zijian’s ecological novels.The first section discusses the author’s pursuit of beauty and harmony through Chi Zijian’s writings on the beauty of nature and animals;The second section explores the themes of desolation and warmth in Chi Zijian’s works from her concerns about ecological imbalance and her redemption of human nature;The third section examines Chi Zijian’s reflection on modern civilization and her identification with returning to her natural home from the theme of escape and return.Chapter 3 analyzes the narrative strategy of Chi Zijian’s ecological novels from the perspective of narratology,and explores how her unique narrative strategy achieves the expressive function of the text.The first section lists the original ecological characteristics of the narrative language in Chi Zijian’s ecological novels and the author’s use of cool colors,analyzing the externalization of the ideological connotations in the language of the works;The second section mainly analyzes the application of children’s perspective and idiot’s perspective,and explores the emotional attitudes conveyed by Chi Zijian;The third section starts with the establishment and reconstruction of narrative space,discussing the establishment of closed spaces and the rupture of internal social spaces,and exploring Chi Zijian’s criticism and reflection on modernity. |