Cross Category Creation Of The Moon Opera

Nowadays,the integration between categories of art is becoming more and more obvious,and cross category integration has gradually become a common phenomenon.Among them,the adaptation of Chinese modern and contemporary literary works has attracted the attention of scholars.This paper chooses to focus on the adaptation of “The Moon Opera”,a representative work from the author Bi Feiyu,which spans multiple art categories.Taking the cross category creative presentation of “The Moon Opera” as the research object,using the combination of interdisciplinary research and comparative analysis,and with the help of the common and blending spatial structure relationship between art categories,including heterogeneity and commonality,that is the theory of otherness,this paper attempts to break through the boundaries between art categories,and excavate the novel “The Moon Opera” and the adapted TV series “Tsing Yi”,dance “Tsing Yi”.The internal relationship between Beijing Opera “Tsing Yi”.This paper analyzes the concrete presentation of the novel “The Moon Opera” in the adaptation and creation of different art categories,and explores the differences and commonalities between different art categories.The novel mainly tells the dramatic life of Tsing Yi people,and shows the artist’s dedication to art until the crazy tragic ending.Although the works of “The Moon Opera”adapted and created by other art categories have their own ways of expression in the plot,character image,artistic technique and style,as well as the presentation of the theme of the works,these adapted works of “The Moon Opera” reflect the close relationship between different art categories.Firstly,starting from the change of the cross category creative plot of the novel “The Moon Opera”,this paper analyzes the classic dramatic plots in the novel “The Moon Opera” that provide convenience for film and television narration,and then grasps the treatment of the increase and change of the novel plot after the adaptation of the TV drama version “Tsing Yi”.Then understand the creative background and motivation of dance and Beijing Opera “Tsing Yi”,integrate the perspective of the creative subject,and specifically analyze the interception and narration,creation and sublimation of the novel plot by dance and Beijing opera art.Secondly,this paper also discusses the shaping of characters in cross category creation.Investigate the characters with different characteristics portrayed by the creative subjects in different art categories and the art materials with different characteristics.In addition,in the process of cross category creation of the novel “The Moon Opera”,there is also a phenomenon of mutual reference in artistic techniques and styles between different artistic categories.For example,Beijing Opera “Tsing Yi” is similar to the dance “Tsing Yi” in the transformation and switching of narrative time and space.Both of them complete the transformation of time and space by using the action of characters and the factors on the stage.The TV play “Tsing Yi” is consistent with the novel “The Moon Opera” in the application of narrative perspective,which reflects the narrative characteristics of the combination of first person narrative perspective and third person narrative perspective.Finally,think about the value of cross category creation of “The Moon Opera”.By selecting a classic plot jointly retained by TV drama,dance and Beijing opera,this paper observes its forms of expression under the shaping of different art categories,so as to summarize the natural advantages of different art categories in reshaping the works of “The Moon Opera”.In addition,it also expounds the relationship between the cross category creation of the novel “The Moon Opera” and the inheritance of traditional art.From the specific works of cross category creation of the novel “The Moon Opera”,such as dance“Tsing Yi” and Beijing Opera “Tsing Yi”,they not only promote the creation and performance of traditional art,but also expand the living space of traditional art and promote the inheritance of Beijing Opera and dance as Chinese traditional art.Therefore,the analysis of the cross category creation of "The Moon Opera" can not only provide a reference for the survival of the excellent traditional culture of the Chinese nation,Beijing Opera art in the process of social modernization,but also remind us that we must attach importance to the power of traditional culture,achieve "creative transformation" on the basis of respecting tradition,and promote traditional art to a new life.