Research On Inheritance And Innovation Of Chinese Traditional Heavy Color Painting In Contemporary Mural Painting

The new concept of contemporary art enriches the form of painting and enables artists to express their creative ideas and feelings in more ways.The appearance of comprehensive material painting makes the form of painting no longer bound by a single material,and this kind of liberation enables artists to obtain greater freedom of artistic creation,which in turn stimulates more vitality.After artists’ practical exploration and theoretical summary,integrated material painting has become a clearer and clearer art form,which is gradually accepted by people.Through systematic investigation and research analysis,it is found that the research on integrated material painting is very rich,but most of them focus on its materials and techniques,while the research on its connotation is limited.Materials and techniques are one of the important conditions for constructing excellent painting works,but the quality of a painting can not be determined only by the richness of materials or the proficiency of techniques,after the artist fully understands the basic characteristics of materials,he should choose appropriate materials to express his thoughts and feelings,thus revealing a deeper spiritual connotation.Therefore,it is necessary to sort out the expression of the noumenon language of comprehensive material painting systematically.Based on the study of the meaning of the noumenon language in the contemporary art context,this paper analyzes the development,characteristics and language expression of the integrated material painting,then it expounds its unique aesthetic value and form of expression,and through analyzing the characteristics of the works of different artists,it discusses the characteristics of the noumenon language of the comprehensive material painting from multiple angles,this paper tries to find out the emotional and spiritual connotation behind the works,and discusses the irreplaceable function of the noumenon language of the integrated material painting in the present artistic context and the brand-new painting thinking mode.