| In the material world,"shadows" are everywhere,giving people rich visual experience and conscious feedback.There are not only "shadows" of the visible reality,such as projection and shadow,but also "shadows" of the invisible thoughts,such as phantom and virtual shadow,on the conscious level.All of these have given rich enlightenment to Chinese ink painting art,which not only improves the aesthetic realm of Traditional Chinese ink painting,but also extends to the reform of experimental ink painting and broadens the expressiveness of ink painting language.With the transformation of the era,the contemporary experimental ink painting artists on the pattern of "shadow" is more diversified aesthetic features,reflects the very different from traditional ink painting interest,can look from the vision,the "shadow" of reality such as Feng Bin "dance" series,performance figures in the visual movement the ghosting,the "shadow" of thought such as Zhang Yu "light" series,performance consciousness of space,Artists have a variety of composite organization and material application in the picture,which shows the visual flow characteristics of deformation,overlap,blur and so on.The mood of the painter,the development of ink painting needs to explore high-quality schema to express its concept,"shadow" not only has the important significance of construction and reconstruction,but also carries more thoughts on humanistic spirit and life image.This paper is mainly divided into six chapters for analysis and exposition.The first chapter is the introduction,which includes four parts: research background,research status,research significance,research ideas,methods and innovation points,and explores the value and significance of and "shadow" in local culture and the feasibility of its performance in experimental ink painting.The second chapter to the concept of "shadow" analyses,from the category is divided into the "shadow" of physical reality and ideology of the "shadow" of thought,and for the "shadow" visual characteristics in the application of traditional Chinese ink painting schema,the third chapter of "shadow" experimental ink painting in the reflected light to analyze,select schema on typical artists,artists Feng Bin and Zhang Yu as a case,Further comparative analysis of his works on the scheme of "shadow" visual characteristics of the expression and meaning.The fourth chapter briefly describes the background of personal experimental ink painting creation,including the reason and significance of the creation of the topic.The fifth chapter,with the "shadow" of reality and "shadow" of thought as the entry point,explains the visual characteristics of "shadow" combined with the process and ideas of personal ink painting experiment creation,lists the "shadow" series and "circle" series of personal works,and explores the expression language and spiritual connotation of "shadow" in personal experimental ink painting.The sixth chapter summarizes the application of "shadow" in experimental ink painting.Through the placement of "shadow",not only can create a schema with visual impact and distinct layers in ink painting,but also shorten the distance between the image and the observer,and arouse the audience’s identification and yearning psychologically.With the development of The Times,"shadow" will also be like ink painting,which has the dual value of local cultural identity and visual expression language,and will constantly regenerate in the development of Contemporary and future Chinese art. |
