Research On Aesthetic Form Of Chinese Characteristic Ruins Theme Art

China has a deep-rooted historical foundation.It has retained numerous ruins related to human activities and social development in different times,and has reproduced unique ruins themed art on this fertile cultural soil of the Chinese nation.From the causes of ruins to the emergence of ruins art,there are human activities and natural environment influence.From the development and change of ruins art creation,we can explore people’s attitudes towards historical humanity and social collective memory.The theme art is rich in form and profound in connotation.In the field of aesthetic expression,it also shows the beauty and interest of specific forms,which has high research value.The theme art of ruins with Chinese characteristics contains Chinese spirit and traditional national thought,which makes people feel the edification of aesthetics and helps people gradually improve their self-development and promote cultural literacy.Based on the Marxist theory of literature and art,this paper aims to explore the aesthetic form and characteristics of the ruins theme art with Chinese characteristics,and finally complete the elaboration of the relevant ideological theory and practical significance.The introduction part of this paper is to carry out comprehensive research and summary comments on the characteristic ruins art,to pave the way for the specific aesthetic form of research.In the first chapter,it demonstrates the critical inheritance thought,art production and consumption concept,times and national spirit of characteristic ruins art,which provides theoretical support of materialistic nature for subsequent research.In the second chapter,it comprehensively interprets the aesthetic forms of characteristic ruins art,including artistic conception beauty,melancholy beauty,nostalgia beauty,tragedy,sublime sense and defect beauty,and summarizes the basic aesthetic characteristics of history,culture,time and space,forming the multiple analysis and core cognition of characteristic ruins art.In the third chapter,the author expounds the theoretical value of the research content in humanistic thought,social practice and historical inheritance.