The Image Presentation Of Cultural Features From The Perspective Of Hermeneutics

With Husserl’s and Heidegger’s research in phenomenology and philosophy as the cornerstone,Gadamer formed his own school as philosophical hermeneutics.Gadamer,developing Heidegger’s view that understanding is the way Dasein exists,made a systematic innovation on aesthetic comprehension of works of art,especially in hermeneutic aesthetics.His theories,such as Hermeneutic Circle and Effective-Historical Consciousness,clearly remain inseparable with philosophy.This relationship does not simply stay in metaphysics,but unexpectedly manifests itself in the interpretation of film and television programs.Based on Gadamer’s hermeneutics,this paper adopts the phenomenological intuition method,combined with literature research,practice and image rhetoric,to fully sort out the creation process of the work Following Su Dongpo created by the author.Its form,content,and implication will be interpreted.In the process of creating this work,theories and practice form a virtuous interaction.Through the reproduction of Su Shi’s exile life in Huang Zhou,the image of his character is evident.Moreover,the creation background of his works is reconstructed to observe his mood and the readers’ aesthetic horizon,in attempt to achieve the integration of literature,calligraphy as well as film.As for the thesis,there may be two innovation points: First,it tries to relate the creation of artistic works with abstract theories and techniques of phenomenology and hermeneutics and puts them in the creation of documentary works.The second one is to make use of what is mentioned above.Guidance by relevant theories will be closely followed in all aspects of creation.With scene-based reading and diverse interpretation from multiple perspectives,the delicateness of art works can be achieved and practical experience will be gained.