Exploration Of Articulation In Singing Of Chinese Original Musicals

The ups and downs of the musical plot make musical singing contain a large amount of information,they not only express the feelings of the characters,but also assume the functions of story narration,dialogue communication and so on.Under this objective requirement,it is more complicated to handle the articulation in musical theater singing.On the one hand,the audience should be able to hear the content of the song easily,and on the other hand,the bite should be accurately designed to support the characterization and expression of the character’s attitude.This is especially true in original Chinese musicals.How can actors accurately grasp the character’s bite in singing without a "model",so that the character can quickly "grab" the audience;how can the audience not “prepared” In this paper,I will take a look at the Chinese original musicals and explore how to make the audience understand the lyrics without "subtitle",and how to enjoy the charm of the Chinese original musicals with the combined effect of the two aspects.In this paper,the author will focus on the articulation in singing,and the problem of "singing the words clearly and getting the meaning right" as the guide.The purpose of this article is to explain how to sing the lyrics clearly and how to deal with the word bite in five aspects: vowel and rhyme,the match between the tone of the word and the melody,the match between the word and the sound of the word beyond the comfort zone,the treatment of the word and the musical treatment,in order to bring some inspiration to the musical actors to solve the relevant problems.The aim is to bring some inspiration to musical theater performers to solve related problems.