Singing And Emotional Analysis Of The Three-time Theme Reappearance Of Naren Gaowa's Aria "Love Song" In The Opera "Cangyuan

The Chinese opera "Cangyuan" is the famous work of Xu Zhanhai,a famous composer in China.It is a magnificent patriotic epic.It has far-reaching influence and significance on the development of Chinese opera,and is one of the representative works created for Chinese opera in the new era.It breaks through the traditional music mode of western opera,combines western bel canto with opera,and integrates Chinese national style.The production of "Cangyuan" has promoted the further improvement of the artistic quality of Chinese opera and the continuous expansion of the scope of opera influence to a certain extent.Among them,the aria "Love Song" is the aria of the heroine Naringawa,and it is also a wide range of songs sung by the soprano.In this opera,the aria "Love Song" is like the "soul" of the opera "Cangyuan".It affects the emotion of the whole opera and the development of the plot.It has appeared three times in succession,and each reappearance represents the change of the plot rhythm.The author of this paper will take "Love Song" as the research object,through the comparative analysis of the three times in the play,and combined with his own practice of singing treatment,to analyze and study.Chapter 2 and Chapter 3 are the focus of this paper,The second chapter mainly analyzes the singing from the aspects of enunciation,voice and breath,and characterization of characters.The third chapter mainly makes a comparative analysis from the aspects of singing background,conflict,singing form and singing emotion,and then combines the contents of other chapters to analyze the musical characteristics and emotional understanding of "Love Song",to explore the different emotional expressions of the aria "Love Song" in this opera.