Based On The Customs System Of Hui Music Culture In Qing Dynasty

Huizhou culture gives birth to the hinterland of Huizhou.as a thick customs,moral codes of huizhou area,it has left behind its unique simple atmosphere and track of folk music activities.On the one hand,the music culture of Hui not only gave birth to the opera with a long history,but also retained the historical mark of literati qin music and festival and folk song and dance.On the other hand,Huizhou has retained a variety of rites and customs,including festival rituals,sacrificial rituals and ethical rituals,which involve the daily life and belief of all social strata.From the perspective of music culture connotation under the influence of emblem culture,emblem music culture and its regional characteristics and cultural environment and other factors influence and permeate each other.The study of music in Hui culture also plays a stimulating role in preserving Anhui music culture.Huizhou,as the "land of literature",has retained records and other documents to present its splendid music history,and the ritual and custom activities continued in this place all year round have been recorded in local Chronicles and other historical materials,which is an example to prove the development trajectory of this music culture.So to grasp its regional characteristics of music culture.This paper tries to capture and collect the historical materials of music from the historical materials recorded in the local Chronicles of one prefecture and six counties in Huizhou during the Qing Dynasty.The author concludes that "Hui music culture" includes specific music form and music connotation.Its specific components are as follows: first,it covers the development forms of Hui-tune opera,gum-guqin music and folk songs and dances;The second is the different functions and prosody of music activities around the system of rites and customs.Third,the music forms used in all kinds of customs activities;Fourth,the embodiment of the spiritual connotation of music.In this paper,the characteristics and functions of micromusic in ritual and custom activities,such as entertainment and social interaction,inheritance and education,and petition to reward the gods,are discussed,as well as the different rules of using music in ritual and custom ceremonies in qing Dynasty.The popularization of various folk rituals and customs activities basically cover the general musical forms of opera,drum music,music and dance,and select suitable music forms according to different characteristics of activities to highlight the different etiquette and customs themes of the activities,but also involve the preaching and spread of the venue for the music ceremony.This paper also analyzes the spiritual connotation of hui music culture by integrating various musical activities,musical forms,musical figures and themes and features carried out in music venues in qing Dynasty.From the perspective of rites and music education,social customs and ethical concepts,it is sufficient to exemplify the rich general situation of Huizhou music culture in qing Dynasty,and also shows the profound influence of Huizhou ritual and custom system on Huizhou music culture.To grasp and think about the musical spirit connotation of huizhou regional music culture in qing Dynasty under the social background of a specific historical period has also become the representative characteristics of regional music customs culture.