Study On The Art Of Woyou Painting

In the discussion of landscape painting,landscape painting is often given the connotation of woyou,believing that good landscape painting can woyou,but ignoring the possibility of the existence of sleeping tour map with the theme of woyou.This paper mainly discusses the spiritual connotation of woyou of the Woyou painting;The Cultural Roots and Motif Image of Woyou painting;The collection and collation of Woyou painting in past Dynasties,the exploration of the path of theme change from Woyou painting in past Dynasties,and the spiritual extension of Woyou painting;As the difference between Woyou painting and other landscape painting,such as travel painting and tourist painting;Topic Types of Landscape painting for Woyou painting;From the perspective of phenomenology,this paper discusses the reasons for the formation of the pictorial meaning of Woyou painting and the influence of Woyou painting on the perception of pictures;It also explores the influence of Woyou painting on other cultures.The introduction defines the concepts of "Woyou" and "Woyou painting",and holds that "Woyou" is an aesthetic way with "God and material Tour" as the core.The picture of sleeping tour can be defined as a picture in which the painter shows Woyou and the viewer can Woyou in the picture.In the comparative study of sleeping map,travel map and travel map,we can more clearly define sleeping map as "Woyou is a painting in which the painter expresses his philosophical thoughts on the origin of the world in the way of ’sleeping’ and brings a resting place for the spiritual world to avoid reality,so as to have the effect of self-cultivation to a certain extent."The second chapter starts from the spirit of Woyou to explore the philosophical basis of Woyou.Chinese schools of thought are complex and diverse,and the ways of spirit and material travel are not the same,Taoism achieves the state of spirit and material travel through equalizing things,emptiness and quietness and metaphysics,Confucianism associates the spirit of things with human morality in the way of moral comparison,and Buddhism directly integrates spirit and things with the theory of form is exhausted and spirit is not destroyed.It is these thinking traditions that make Woyou show different ways of sleeping tour in its development.In the Song Dynasty of the Southern Dynasty,Zong Bing summarized this spirit as Woyou after combining Huiyuan with Taoist thought of spiritual and material swim.At this time,Woyou broke through the understanding of the spiritual relationship between spiritual and material in the traditional concept,and for the first time combined this aesthetic logic with the theory of landscape painting,at this time,the meaning of Woyou and the original sleeping Tour has undergone some changes,and the original meaning of sleeping tour is drunk has disappeared.Lie is more emphasis on the Woyou when the action-lying down.At this time,lying still has a specific meaning,while the meaning of traveling is reflected in the spiritual level.In the later development of Woyou,Woyou gradually evolved into the normal life and life interest of scholars,the specific meaning of lying disappeared,and the state of fugue was emphasized,Woyou became a state of mind,and became a common means of spiritual travel or escape.The third chapter looks at the content of "Chang Shen" in the Woyou by studying the development and evolution of the Woyou painting in the past dynasties.In the Southern Song Dynasty,Zong Bing put forward the Woyou painting,and demonstrated that Woyou painting can the clear bosom taste elephant;By the Song Dynasty,Xiaoxiang Woyou painting fully inherited Zong Bing’s Woyou painting spirit and built a dreamlike sleeping tour for the viewer;In the Ming Dynasty,Shen Zhou not only inherited Zong Bing’s thought of observing Taoism in Woyou,but also widened the content of "observing Taoism" in Woyou with the Confucian concept of "comparing morality",so as to realize the innovation of Woyou;In the Qing Dynasty,Cheng zhengkui painted more than 500 sleeping tours to show his attachment to the mountains and rivers and his thoughts of seclusion.Kun can also painted sleeping tours to cultivate his mind.Their sleeping tours are the inheritance of Zong Bing’s Woyou.The fourth chapter analyzes the aesthetic characteristics of the Diagram.First of all,the paper analyzes the picture form of Woyou painting,and the Woyou painting must take the long volume or album as the carrier.Secondly,the author analyzes the aesthetic characteristics of the Woyou painting,and thinks that the pictorial meaning of the Woyou painting is produced between dream and illusion,showing the characteristics of sleepwalking,and the dreamlike characteristics of sleepwalking are very clear.It is in the description of dream and illusion that the content of the picture is close to the origin of the world.The fifth chapter analyzes the development trend of the popularization of lying around map by studying the combination of lying around map and other art forms in the development process.In the late Ming Dynasty,the spirit of Woyou was secularized,the people who read the map expanded from literati to civilians,and the scope of objects to appreciate Woyou painting expanded.The creation of Woyou painting has changed from literati painting to the creation of tourism map under the reproduction of printing,and the charm of brushwork in the map has disappeared,but for the common people,they can still get the experience of Woyou.Because it is not only the description of geographical features,but also the description of poetry and prose,which brings people imagination space.Secondly,it analyzes the nature of the game simulation of the Woyou painting.The Woyou painting itself has the nature of entertainment game — it is a way that the painter draws to entertain himself;And a view needs to substitute himself into that picture for tour when viewing the Woyou painting.In this sense,according to the characteristics of the virtual and real interaction,the Woyou painting has developed a game,the Range Rover,which was once very popular in North Korea and has survived in China today.