The "Noise Poetics" In Xia Yu’s Poems

In the process of summarizing and sorting out Xia Yu’s poetry creation,according to his love for the concept of "noise" in his works,the poetic aesthetic feature called "noise poetics" is extracted,on the basis of which,the whole of contemporary Chinese new poetry is compared.Introduction research on the aesthetic characteristics of poetry has been conducted,integrating the theory of poetry creation and poetry ontology.Taking Xia Yu’s poetry creation as the starting point,the author tries to apply this concept to the process of sorting out and interpreting the poetic aesthetic concept of "noise poetics",in order to obtain the overall mapping of contemporary Chinese new poetry.In the introduction,aiming at the concept of "noise poetics",it firstly describes the twists and turns experienced by new Chinese poetry in the development of a hundred years,taking the emergence of "noise poetics" as a theoretical appeal.In the process of the development of new poetry,the aesthetic characteristics of poetry are naturally generated in combination with the external environment and other objective conditions.In the meantime,the internal definition of the theory of "Noise Poetics" is carefully sorted out.While clarifying the conceptual details,it also expounds its aesthetic positioning and theoretical significance.Finally,Xia Yu’s overall creation situation is briefly described,and the current research overview is summarized.Since Xia Yu has multiple identities in addition to his role as a poet,and the content of his creation is also very complex,it is necessary to comprehensively conduct literary research,taking the influence of its external factors on its creation into consideration.In the first chapter,the background of the formation of "Noise Poetics" is generally presented.The new Chinese poetry contains two parts,mainland poetry and Taiwanese poetry.Although "Noise Poetics" is refined from Xia Yu’s poems,it resonates with the whole new Chinese poetry.Therefore,in the background research,the different poetic backgrounds of Taiwan and the mainland are discussed in different chapters.And in the end,it is demonstrated how Xia Yu extracts the concept of "noise" from Xia Yu’s poems and forms the aesthetic characteristics of "noise poetics".The second chapter of this paper mainly takes Xia Yu’s works as an example to discuss the aesthetic characteristics of "Noise Poetics",and summarizes the "Noise Poetics" from five perspectives: de-subjectivity,breaking rules,pseudo-image,creativity and post-emotionalism,which are presented by the aesthetic state in the work.These five perspectives show the unique "noise" attribute of Xia Yu’s poetry from different levels,and at the same time have the universality compatible with the characteristics of contemporary Chinese new poetry.After basically summarizing the aesthetic characteristics of "Noise Poetics",the third chapter focuses on its construction method,and gradually analyzes the forming process of "Noise Poetics" from the perspective of poetry creation.The creation of poetry is roughly divided into two parts: the inner part and the outer part.The inner part involves the selection of words,image extraction,rhythm segmentation,etc.,while the outer part concerns the multiple identities of the poet himself and other designs except for the poetry text.A variety of factors work together to form the unique poetic feature of "Noise Poetics".The fourth chapter mainly focuses on Xia Yu’s personal life.Although this paper intends to summarize the “noise poetics” as a general feature of contemporary Chinese new poetry,this feature is mainly extracted from Xia Yu’s poetic works,who is a Taiwanese poet.Since Xia Yu’s works have been popular in Taiwan for many years,it is not an exaggeration to describe it as a household name.In terms of her works alone,her creations are unique.Therefore,it is necessary to summarize why "noise poetics" can be analyzed as her unique characteristic according to her creative concepts and poetry creation methods.The fifth chapter,as the last chapter,places the "poetics of noise" in the context of the whole new Chinese poetry,and discusses its reverberation in the whole new Chinese poetry.The development of new Chinese poetry has had an indelible impact on the overall growth of new Chinese poetry.These influences are mainly reflected in three parts: the innovation of poetry concepts,the reflection of poetry’s emotional intelligence,and the reconstruction of poetry forms.It is summarized that the theory of "Noise Poetics" takes the central place in new Chinese poetry in the new century.