A Discourse Analysis Of Yisha’s Poetry

Yi Sha is an important poet in the history of contemporary Chinese poetry.He appeared after the "third generation of poetry" and inherited the poetic heritage of his predecessors,that is,oral writing in form and excavation of daily life themes in content.Lord,deepened and strengthened the populist writing position,and contributed a unique "fact poetry" to the poetry world.This paper makes an overall interpretation of Yi Sha’s poetry through the elements of poetic discourse analysis.This paper argues that Yi Sha’s writing is rooted in historical and textual contexts since the 1980 s.In the historical context,marketization,secularization tendencies and pragmatic spiritual pursuits are the main trends in the development of the times.The development concept centered on economic construction has been implemented in all aspects of people’s lives.The status of intellectuals has become embarrassing.Development has accelerated the alienation of human beings.At the same time as the rapid development of society,theoretical resources such as postmodernism also have the possibility of survival and development in China,and provided inspiration for Yi Sha’s writing;in the context of the text,in the late 1980 s In the early 1990 s,the "third-generation" poets basically completed their rebellion against "Misty Poetry",and then the collective disintegrated in the 1990 s.Yi Sha inherited their effective exploration results and started his own creative path.This paper believes that,in terms of the main element of poetry narrative,Yi Sha continues the trend of the continuous downward evolution of the narrative subject image in the new history of poetry,that is,the mythological hero,the realistic fighting hero,the model leader,and the social man with a sense of mission.The transformation to ordinary people who reject the sublime;four main types of subjects in Yi Sha’s poetry are summarized,namely: the image of caring,compassionate,intellectual,humorous,marginal,tender,and male,desirous.Moreover,the boundaries between the poet himself and the subject image in the poem are often blurred.On the one hand,it ensures the excavation of the real poetic meaning.In terms of poetry,an element of discourse analysis,the "poetry of facts" proposed by Yi Sha himself has innovative significance.It is based on the poetic excavation of daily life,takes the real response of body perception as flesh and blood,uses "events" to offset the dissolution and failure of "images",and presents itself in the dynamic development process of events that is deeper than ordinary facts.,in order to arrive at the "poetry of fact".In terms of textual elements,Yi Sha’s poetry presents a "narrative" feature,which is a transcendence of the previous "narrative",emphasizing the tenderness,vigorous vitality and real life experience that oral writing presents to readers;The "transitivity" of its narration can be deeply understood and verified from the grammatical analysis model of linguistics and the poetic theory introduced from it;and the final direction of the narration is still lyrical,and the real emotion is reached through representation and arousal.Experience,printing and dyeing the colors of the times in the background color of humanitarian standpoint.