Native Narrative And Literary Writing-a Study Of Yuan Rencong's Work

As an important writer in the history of Dong literature,Yuan Rencong has rich creative achievements and various types.He has admitted that literary works should provide two kinds of care,one is realistic care,the other is historical care.Taking Yuan Rencong’s creative process as the research object,this paper systematically combs his creative content,creative techniques,creative intention and so on,and places the research focus on his local novels and historical novels.For his local novels,the author returns to the literary hometown of Yuan Rencong’s works,thus making a more detailed study of the local novels from the perspective of both the internal study of the text and the external study of the field.Taking his local novels as a window,this paper analyzes the changes of the local society and the cultural characteristics of the Dong ,as well as the spiritual features of the rural people.From the perspective of historiography,this paper studies his historical novels,analyzes his historical consciousness,and analyzes the contemporary significance and human meaning of his works in the course of the great historical echo.The first chapter starts from the origin and present situation of the research,and analyzes the research ideas and innovation of this paper.The second chapter systematically introduces Yuan Rencong and his literary creation,discusses the relationship between them,introduces the relevant situation of the author and Dangzhai,in addition to introducing the research object and field points,the author further explains the research method of literary ethnography.The third chapter makes a systematic study of Yuan Rencong’s local narration from two aspects of local profile and local creation,introduces the local general situation from two parts: static local society and dynamic local society,and studies Yuan Rencong’s local creation characteristics and main meanings in order to return to the local and Yuan Rencong’s local novel characteristics.The fourth chapter studies Yuan Rencong’s works from the internal and external perspectives,focusing on the ethnic characteristics and the characteristics of the times embodied in his creation.From his attention to the development of Dong ,this paper studies the ethnic characteristics embodied in his works from the two dimensions of the exhibition of Dong culture,and studies the characteristics of the times embodied in his works from two dimensions of social change and historical narration.The fifth chapter is a chapter that summarizes the full text,which is divided into three parts with the theme of returning to the humanistic world.The first part is to study the relationship between his creative mentality and creative process on the basis of a systematic review of his creative process.The second part is an overall planning and discussion of the research methods.The third part introduces the contemporary significance of studying Yuan Rencong’s works from three levels.First,aesthetic redemption.The second is the revitalization of the countryside,and the third is the manifestation of human nature.In this paper,Yuan Rencong is placed in the multiple dimensions of local writers,Guizhou writers and Dong writers to study his creative characteristics,in order to form a more complete study of his creation.