Research On Wuyang Divine Opera In Donglan County,Hechi City,Guangxi

Yang opera is a popular folk art form in southwest China,which belongs to Nuo opera.Yang Opera is marked by believing in Sichuan Master,Land Master and King of Medicine,expelling ghosts and evicting diseases,praying for blessings and calamities,and rewarding the gods for their willingness to return.Yang Opera is characterized by festivities and entertainment,and is closely related to the social life of the people.Wuyang Divine Opera is a folk drama that spread to Guangxi from Sichuan hundreds of years ago.it is included in the list of intangible cultural heritage projects at the district level in Guangxi and is a typical representative of local cultural resources.Wuyang Divine Opera belongs to the "synonymous isomorphism" type of Yang Opera.The essence of Wuyang Divine Opera is to drive out ghosts,pray for blessings,and entertain people.Wuyang Divine Opera remains in Shaping,Huaxiang Township,Donglan County,Hechi City,Guangxi,with a remote geographical environment,which provides a good foundation for Wuyang Divine Opera to take root here.In the process of moving to the south,in order to adapt to the development of local culture,the cultural collision did not produce sparks,but let the two blend better,and the functions of exorcising evil spirits and seeking good fortune met the needs of the people.Wuyang Divine Opera,which contains profound cultural connotations,has won the support of the people and mingled with the daily life of the people.Wuyang Divine Opera has been spread for a long time,the art form is relatively complete,and it integrates music,action performance,chanting and other ways,which has great appreciation and entertainment.Coupled with the inheritance of live performance,it contains profound cultural connotations.It has literary value,academic value and historical value,which can provide a reference basis for the study of Yang Opera and even Nuo Opera.With the development and reform of society,the development prospect of Wuyang Divine Opera is bleak.Only by peeping into the whole picture of Wuyang Divine Opera can we understand it deeply and make the intangible cultural heritage with the value of existence and inheritance "alive".At present,the academic circles have made a comprehensive arrangement and research on the dying Yang Opera,trying to explore ways to promote the inheritance and development of Yang Opera in various places.As far as Guangxi is concerned,there has not been a comprehensive and systematic study on Wuyang Divine Opera in Donglan County,Hechi City,Guangxi.Based on this,this paper takes the intangible cultural heritage as the research object,records and analyzes it comprehensively,and provides a useful reference for the research,inheritance and development of Wuyang divine opera.This paper takes Wuyang Divine Opera in Donglan County,Hechi City,Guangxi as the research object,uses the method of field investigation and literature research to analyze the Wuyang Shen Opera in Donglan County,Hechi City,Guangxi,and carefully records and describes the on-the-spot performance process of Wuyang Divine Opera.Through the analysis of the Wuyang Divine Opera manuscripts,this paper excavates the cultural connotation behind the Wuyang Divine Opera manuscripts.Combined with the content of the southwest Yang Opera,this paper compares the gods and related repertoire believed in Wuyang Divine Opera with the Southwest Yang Opera,so as to see the similarities and differences between them.This paper probes into the changes of Wuyang Divine Opera in the integration of local culture on the basis of inheriting tradition from Sichuan to Guangxi,and finally analyzes the current situation of Wuyang Divine Opera,and puts forward corresponding countermeasures and suggestions combined with the development of local Nuo Opera.