Practical Study On Hip-hop Training In Mongolian Dance Performance

Dance TV talent shows such as "So You Think You Can Dance","Dance storm" and "TOP Dancer" have been launched successively,which have attracted wide attention from the majority of dancers and the public,and have a certain positive influence and guiding significance on the development and promotion of dance.The author has participated in the competition of "Competition for Dance",and has a profound understanding of the competition,and the ability to control dancers’different dance styles and the use of dance types as an important evaluation standard.In contrast,at present,our universities also make full use of the training characteristics and advantages of classical dance,ballet and modern dance in setting the training program of folk dancers to train and improve the limbs of folk dancers in an all-round and diversified way.Under such a realistic basis,the author started to think about whether we can find the matching point or common place with the physical training of folk dancers through hip-hop training in the street dance,so as to better assist the training of folk dance.In this paper,I study Mongolian dance and hip-hop hippo,mainly from three parts.The first part:the author will first explain the characteristics and advantages of hip-hop hiphop training,and then introduce why and why hip-hop hiphop training can be introduced into the Mongolian dance,and analyze the relationship between the two.Finally,the significance and value of such cross-dance species research are expounded.The second part:after the concept of the research object,into the practice to explore part,find two dance between internal logic and training,this part will be from a single body training,movement processing,music understanding three aspects to analyze how to strengthen the street dance hip-hop training ethnic dancers Mongolian dance performance,and improve dancers comprehensive stage performance ability.The third part:summarize the author’s personal practice,and put forward suggestions and strategies for the cultivation of folk dancers.This part will elaborate the problems that need to pay attention to in the training of cross-dance,as well as put forward reference opinions and prospects for the cultivation of "all-around dancer".In short,the author hope that through this article topic for themselves and other ethnic dancers across the training and performance,provide certain reference value in theory and practice,through the research and practice,strengthen the physical training of ethnic dancers,and to toward the training "all-around dancer","composite talent"continuous efforts.