A Comparative Study Of Chinese Classical Dance Creation On Both Sides Of The Taiwan Strai

Based on the multiple experiences of practicing dance on both sides of the Taiwan Strait,the author combined his own dance background in Taiwan and the research practice of the Classical Dance Department of Beijing Dance Academy during his postgraduate period in the creation of the master’s degree work "Rong",from the generation and development of classical dance on both sides of the Strait.The cultural background goes deep into its internal construction logic,and grasps the differences and commonalities in the thinking and operation modes of classical dance choreography on both sides of the Taiwan Strait.Based on the premise of respecting differences and guided by the idea of achieving the same goal through different routes,in terms of the selection of classical dance themes,the use of style and vocabulary and the use of dance props,the choreography was created according to the respective creation routines of classical dances on both sides of the Taiwan Strait,and constituted two parts of "Rong" respectively: The first part mainly follows the creation mode of Taiwan classical dance;the second part mainly refers to the creation method of Chinese classical dance in the mainland.It is hoped that through the combination of these two groups of works,it will present the fusion of dialogue,mutual learning and cultural integration of Chinese classical dance,so it is named "Integration".In order to start from this work I created,analyze and discuss the characteristics of Chinese classical dance creation on both sides of the strait,provide theoretical reference for the practice of Chinese classical dance creation on both sides of the strait,and provide reference for the improvement of cross-strait Chinese classical dance creation.It is also to feed back the classical dance of his hometown in Taiwan,making the system construction and creation of Chinese classical dance in Taiwan more and more perfect.