A Study Of Domestic Female Group Dramas From The Perspective Of Feminist Narratolog

At the beginning of the 21 st century,female group dramas,as a new genre of TV series,began to appear in the audience’s field of vision.Today,female group portrait dramas have gone through the stage of starting from scratch and becoming better,and have begun to shine.The female group drama is very distinctive and bold and innovative in creation,and the play contains many thoughts on women’s real life,which is highly consistent with real problems and the pulse of the times,bringing more thinking and enlightenment to the audience.Feminist narrative has the characteristics of intersectionality,inclusiveness and extensiveness,although it has not developed for a long time,its theoretical system is very sufficient,and it is optimistic about more and more scholars,and its development prospects cannot be underestimated.Using feminist narrative theory to interpret the connotation of women’s group drama works will have a transcendent effect,which is not only of great significance to the emancipation of women’s minds in China,but also contributes to the promotion of gender equality.Based on feminist narrative theory,this paper discusses the narrative content,narrative voice,narrative perspective,practical significance and creative prospect in women’s group drama.In addition to the introduction and epilogue,the main body of the thesis consists of five chapters.The introduction section introduces in detail the current research status of feminist narrative and women’s group drama at home and abroad,points out the research purpose and significance of this paper,and finally elaborates the research ideas,research methods and innovations of this paper,and then points out the feasibility of this study.The first chapter summarizes the development of women’s group dramas by writing an overview of the development of feminist narratology,the definition of the concept of female group dramas,the development status,and the reasons for their popularity;The second chapter studies and analyzes the narrative content of women’s group dramas from three aspects: narrative motif,image shaping,and plot setting.Women’s group portrait drama takes "women" as the center,disseminates women’s ideas,and pays attention to women’s subjects and the realization of life values;Chapter 3 discusses the role and significance of limited knowledge perspective and omniscient perspective on women’s group dramas,and the positive impact of the change from male perspective to female perspective on many women from two dimensions: limited knowledge perspective and omniscient perspective,male perspective and female perspective.Chapter 4 discusses the narrative voice of female subjects in female group dramas from three aspects: author-type narrative voice,individual narrative voice,and collective narrative voice.Women’s group dramas give full display to women’s voices and express female-centered concepts and opinions;Chapter 5 pays attention to the actual situation of women,shows the female spirit,and provides guiding suggestions for the future development of female group dramas from the two aspects of the practical significance and creative prospect of women’s group dramas.Finally,through the concluding part,the research on women’s group dramas is summarized.This paper studies women’s group dramas from the perspective of feminist narrative studies,and promotes the deep integration of feminist narratology and female group dramas by discussing the narrative content,narrative perspective,narrative voice and other issues of female group dramas,highlighting the important role of feminist narrative theory in the creation of TV dramas.It is expected that the narrative system of female group dramas will be further improved,and domestic female group dramas can care more for women and consume less,and also hope to provide a more novel idea for the research of female group dramas,and contribute their own strength to the development of Chinese film and television works in the future.